Archive for the Romance Category

Out Of Sight

Posted in Crime, Drama, Romance with tags on November 16, 2015 by Mark Walker

Director: Steven Soderbergh.
Screenplay: Scott Frank.
Starring: George Clooney, Jennifer Lopez, Ving Rhames, Don Cheadle, Steve Zahn, Albert Brooks, Catherine Keener, Isaiah Washington, Luis Guzman, Dennis Farina, Viola Davis, Nancy Allen, Paul Calderon, Keith Loneker, Mike Malone, Michael Keaton, Samuel L. Jackson.

“If I see Glenn wearing his sunglasses I’m gonna step on ’em. I might not even take ’em off first”

The late Elmore Leonard had been writing crime and western novels as far back as the 1950’s and has had numerous adaptations of his work: Paul Newman in Hombre, Clint Eastwood in Joe Kidd and Charles Bronson in Mr. Majestyk are just some of the more familiar ones. However, around the mid 90’s there was somewhat of a reinvestment in his work. After the release of Quentin Tarantino’s hugely influential Pulp Fiction in 1994, crime became cool again and Elmore Leonard became the go-to guy for the material. John Travolta would follow-up Pulp with Barry Sonnenfeld’s humorous adaptation of Leonard’s Get Shorty and Tarantino himself adapted Rum Punch into Jackie Brown. There were other TV Movies like Gold Coast and Pronto, Paul Schrader’s misjudged Touch and the short lived TV series Maximum Bob. Steven Soderbergh then rounded them off with this stylish film that, arguably, handed George Clooney the first role that suited him as a fully fledged leading man.   Continue reading

To The Wonder

Posted in Drama, Romance with tags on May 5, 2014 by Mark Walker


Director: Terrence Malick.
Screenplay: Terrence Malick.
Starring: Ben Affleck, Olga Kurylenko, Javier Bardem, Rachel McAdams, Tatiana Chiline, Romena Mondello, Charles Baker, Tony O’Gans.

“You have to struggle with yourself. You have to struggle with your own strength”.

Say what you will about the stylings of Terrence Malick but he’s undoubtedly a director that puts his own stamp on things and refuses to tell a story in any conventional sense. He’s more interested in capturing moments and subtle glances while pondering the larger themes of love, life and religious beliefs. When you look back at his older works of “Days Of Heaven“, “The Thin Red Line” or “The Tree Of Life“, for example, you’ll find these themes in abundance. From a personal point of view, I often find Malick’s approach to be highly appealing but with “To The Wonder“, I was left somewhat distant and uninterested this time around.

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(500) Days Of Summer

Posted in Comedy, Romance with tags on December 30, 2013 by Mark Walker


Director: Marc Webb.
Screenplay: Scott Neustadter, Michael H. Weber
Starring: Joseph Gordon-Levitt, Zooey Deschanel, Geoffrey Arend, Chloë Grace Moretz, Matthew Gray Gubler, Clark Gregg, Rachel Boston, Minka Kelly.

No! Don’t pull that with me. This is not how you treat your friend! Kissing in the copy room? Holding hands in IKEA? Shower sex? Come on! Friends my balls!

Before he was given big bucks and entrusted with reinventing the franchise of “The Amazing Spider-Man“, director Marc Webb cut his directorial teeth on this highly appealing and (un)romantic-comedy. For a debut it’s very impressively handled and brings a fresh approach to the tired old boy-meets-girl formula.

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Ruby Sparks * * * * 1/2

Posted in Comedy, Drama, Fantasy, Romance with tags on December 12, 2012 by Mark Walker


Directors: Jonathan Dayton, Valerie Faris.
Screenplay: Zoe Kazan.
Starring: Paul Dano, Zoe Kazan, Annette Bening, Antonio Banderas, Steve Coogan, Chris Messina, Elliott Gould, Deborah Ann Woll, Toni Trucks, Aasif Mandvi, Alia Shawkat.

After 6 years, husband-and-wife directing team Jonathan Dayton and Valerie Faris deliver their long-awaited follow-up to the brilliant “Little Miss Sunshine“. It would seem that the director’s were in no rush to emulate their previous, Oscar winning, success; preferring instead to wait for the right script. It would also seem that that time has now come and it’s, certainly, been worth the wait.

Calvin Weir-Fields (Paul Dano) is struggling writer who once wrote a ‘genius’ novel when he was 19 years old. The trouble is, he’s now struggling for material and suffers from writer’s-block. On the advice of his therapist (Elliott Gould), he begins to write about a girl that has been appearing in his dreams: Ruby Sparks (Zoe Kazan). The next day, Ruby becomes a real person and they both strike up a beautiful and loving relationship. What Calvin then realises is, that if he can will her into existence by writing about her, then he can change her at any time and make her do what he wants by writing more.

Not many films built around romance have had the audacity to explore the very nature of love itself and the stipulations that seemingly come with it. It’s a genre I’m not fond of but that’s only because most are catered for the masses. This film dares to explore the complexities of a relationship and the stipulations that both sides make. It questions whether we can really love a person, wholeheartedly, without their indiscretions ever becoming irritating or intolerable. It also addresses the nature of dominance within a relationship and how that, in itself, is destructive.
Therein lies the beauty and honesty of this film; it’s not afraid to pose these questions and it’s also not afraid to explore the darker elements to it’s premise or get it’s hands dirty when it needs to. After a gentler, more romantic-comedy beginning, filled with wonderful touches of light and observational humour, the denouement takes a brave, impressive and twisted dramatic turn, that shows the darker side to the fantasy. Wisely, the film’s fantasy premise is never explained. This may irk some viewers but really, the film wouldn’t have gained anything by trying to break it down. Quite frankly, it just wouldn’t have worked but that’s testament to the filmmakers, the terrific ensemble of actors and most importantly Zoe Kazan’s highly original screenplay as they all have you believing in them, even when you know you shouldn’t. Once you’ve accepted the premise, you can sit back and enjoy the excellent performances all round; Dano, once again, displays his more than capable acting chops with a character that is often, and cleverly, likened to writer J.D. Salinger and wonderful comic-relief comes in the form of Bening and Banderas as new-age hippie parents. The biggest surprise is from the screenwriter and eponymous Zoe Kazan though; she brings a real warmth and creativity that manages just the right balance and allows her to flit in-between moods with ease. Without such an endearing and understanding performance, the film wouldn’t have worked as well as it does.

With excellent performances all round, and a great mixture of humour and pathos this is one of 2012’s genuinely surprising highlights. Like “Little Miss Sunshine” before it, this is a real treat.

Mark Walker


Seeking A Friend For The End Of The World * *

Posted in Comedy, Drama, Romance with tags on November 22, 2012 by Mark Walker


Director: Lorene Scafaria.
Screenplay: Lorene Scafaria.
Starring: Steve Carell, Keira Knightley, Martin Sheen, William L. Petersen, Adam Brody, Derek Luke, Rob Corddry, Connie Britton, Melanie Lynskey, T. J. Miller, Mark Moses, Patton Oswalt, Gillian Jacobs, Amy Schumer, Rob Huebel, Bob Stephenson.

Maybe it’s to do with the 2012 Mayan prophecy but over the last couple of years, there seems to have been a recent fad of ‘end of days‘ movies. So far, we’ve had Lars von Trier’s “Melancholia“, David Mackenzie’s “Perfect Sense“, Mike Cahill’s “Another Earth” and now this. Of the four though, I’d have to say that this is the weakest.

A 70 mile-wide asteroid named Mathilda is on a collision course with Earth with attempts to divert it thwarted. Earth will be obliterated in 3 weeks. Throughout this time, Dodge (Steve Carell) and his British next-door neighbour Penny (Keira Knightley) strike up an unusual friendship and embark on a road trip that should suit them both. Dodge wants to track down the real love of his life and Penny wants to get back to Britain to spend her remaining days with her family. Along the way though, things don’t turn out exactly as planned.

The major problem with this film is that it doesn’t know what it wants to be; it starts off with some sharp observational and gallows humour but doesn’t manage to be a laugh out loud comedy. It then delivers a serious dramatic tone – while pitching in elements of science fiction – which, surprisingly, bog it down in tediousness from which it never recovers. The genre in which it is most suited is romantic-comedy but the characters are dull and their situations even more so. It also suffers from an extreme lack of pace. You’d think that a film that delivers a premise of the entire earth having 21 days to live would have a bit of urgency about it. You’d also be forgiven for expecting some ridiculous ‘bucket list’ scenarios but it simply doesn’t provide them, despite threatening to on occasion. There are sporadic moments where it promises to get it’s groove back but ultimately falls into a slow and meandering cross country love story that, for the most part, is dreadfully uneventful.
Steve Carell is starting to annoy me in these kind of tragic, everyman, loner roles and I’m not a fan of the snobby Keira Knightley at all; I can’t get over the fact that she always comes across as if she was born with a silver spoon up her arse. There are some welcome appearances from the likes of Martin Sheen (who needn’t have bothered) Patton Oswalt and William L. Petersen – the latter in particular getting a much needed humorous scene involving the expected appearance of a hitman. It’s little moments like this that make the film all the more frustrating; it shows glimmers of great potential but doesn’t stick to what it does best and ends up being tedious and melancholic. After all this has (finally) passed by, the film almost redeems itself at the end with a lovely and touching moment between the protagonists but by then, it’s too little too late.

Despite not being a massive fan of the two leads, I was intrigued by the films premise. That being said, any potential it had was floundered by delivering scene after scene of mind-numbing emptiness.

Mark Walker


One More Kiss * * * *

Posted in Drama, Romance with tags on October 25, 2012 by Mark Walker


Director: Vadim Jean.
Screenplay: S.A. Halewood.
Starring: Valerie Edmond, Gerard Butler, James Cosmo, Valerie Gogan, Carl Proctor, Danny Nussbaum, Dilys Miller, Ron Guthrie.

Over the course of the next couple of days I’ll be posting a little trilogy of Scottish films that will have, no doubt, passed many people by and are certainly worthy of some more attention. I’ll begin with this 1999 film set in the Scottish borders that although it falls into a particular romantic genre, it dares to do things differently and succeeds admirably.

Sarah Hopson (Valerie Edmond) has been living a successful, high-flying lifestyle in New York but when she finds out that she has a terminal illness, she heads back home to Scotland to prepare for her death. When she arrives, she reacquaints with her childhood sweetheart Sam Murray (Gerard Butler). Sam now runs a restaurant and has since married but Sarah approaches his wife (Valerie Gogan) to ask that she spend time with him before her death – causing everyone some mixed emotions.

The film opens with a lone female, arms aloft, teetering on the edge of a skyscraper. It’s a powerful piece of imagery and an opening scene that sets the tone of this heartfelt tale. This is not a film about death but about life, love and relationships. It explores the mistakes and regrets but also delivers a chance of redemption. It’s in the human relationships that this film finds it’s strength. It’s not just about Sarah and her need to tie up loose ends but it confidently explores the effects on the people around her; she brings both a mixture of pleasure and pain to the other characters. At times she can come across as arrogant and selfish yet she also brings hope and instills a belief in people to live their lives fully. This is a film that wears it’s heart on it’s sleeve and for the most part, the performances are great. It’s interesting watching a young Gerard Butler and Valerie Gogan as his suffering wife is fantastic. James Cosmo is also especially memorable as Sarah’s cantankerous, rough diamond father. However, Valerie Edmond as the lead, looked a little stretched at times which I just couldn’t understand; in some scenes she was absolutely superb and in others she was quite poor. This could be down to her delivery of the dialogue though. I tend to be a little harsh on Scottish performers as sometimes the dialogue isn’t delivered properly. Most Scots have a certain slang nature to their dialect and when you hear words uttered with correct English pronunciation it jars a little. Understandably this has to be the case, so as to appeal to a wider audience but as a Scotsman, it seems out of place. That being said, Edmond still gets the job done and although some of the idiom may lost, the film still retains it’s subtle Scottish humour and delivers moments of highly impressive, realistic drama.

Despite some small inconsistencies this is still a beautifully played, poignant and heartfelt life/love story. It’s not normally the type of film I’d be drawn to but I was impressed with it’s execution.

Next up… “Dear Frankie“.

Mark Walker


Zack And Miri Make A Porno * * 1/2

Posted in Comedy, Romance with tags on May 11, 2012 by Mark Walker


Director: Kevin Smith.
Screenplay: Kevin Smith.
Starring: Seth Rogen, Elizabeth Banks, Jason Mewes, Craig Robinson, Traci Lords Katie Morgan, Ricky Mabe, Jeff Anderson, Justin Long, Brandon Routh, Tom Savini.

Writer/director Kevin Smith used to be a bit of an indie god. His debut “Clerks” was made on a shoestring budget and his films have normally had a real freshness and originality. His last three films; “Red State” “Cop Out” and this, are starting to show that Smith is running out of ideas though.

Plutonic flatmates Zack (Seth Rogen) and Miri (Elizabeth Banks) are cash strapped with mounting financial debts. They struggle to even pay basic household bills. When their electricity and water are cut off, they decide to embark on a money spinning idea; to make a homemade adult film. Eventually, the long-time friends will need to have sex with each other but will they be able to keep their emotions in check?

The film starts brightly and yes, you guessed it, Rogen gets to crack a few dick jokes. He’s good at it though but when it’s Kevin Smith at the helm, you expect a bit more. The writing is not as fresh as his earlier stuff and the film resorts to some cheap gags. It also strays off the path of indie comedy and treads onto the well worn one of romantic-comedy. This may be rom-com with an adult twist to it but, ultimately, it’s still part of the genre that I don’t really care for. It’s the performances that keep it tolerable. The two leads in Rogen and Banks are very endearing and they are surrounded by a great supporting cast – Jason Mewes is, as always, hilarious and there is a brilliant cameo from Justin Long as a gravelly voiced, profane, gay porn star. I found it to be a film of moments though. It has several that are very funny – including a good “Star Wars” porn scenario with Hung Solo and R2 T-Bag – but it’s just not consistent enough and then resorts to hammering the love angle. When this happens, you just know the film has muffdived nosedived and it’s very unlikely that it will recover. As expected, it doesn’t. If you’re looking for a good comedy that delivers the same premise then I suggest “The Moguls“. A little seen Jeff Bridges film released in 2005 that dealt with similar material in a more tasteful and frankly, funnier way.

Not one of Smith’s better efforts and has been the start of a three film decline for him. It does have some qualities but squanders them in favour of a formula.

Mark Walker



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