The Babadook
Director: Jennifer Kent.
Screenplay: Jennifer Kent.
Starring: Essie Davis, Noah Wiseman, Daniel Henshall, Tim Purcell, Barbara West, Hayley McElhinney, Tiffany Lyndall-Knight, Tiffany Adamek, Adam Morgan.
“If it’s in a word or it’s in a book, you can’t get rid of the Babadook”
By now, most people will be aware of the Kickstarter project where people raise funds to get their projects of the ground. There have already been some notable films that have reached their goal in Rob Thomas’ Veronica Mars movie and Jeremy Saulnier’s marvellous Blue Ruin. Well, director Jennifer Kent has managed to do it again by raising $30,000 to add to her modest budget and make a feature length film of her 2005 short Monster. Most of these funds were channeled towards the art department and with the evidence onscreen, it’s money well spent.
Single, widowed mother Amelia (Essie Davis) tries her best to manage her imaginative six year-old son Samuel (Noah Wiseman), who has a strong belief in monsters. One evening, he produces a strange children’s book called Mr. Babadook for a bedtime story. Reluctantly, Amelia reads it but it only adds to Samuel’s nightmares and his increasingly difficult behaviour. It’s not before long, however, that fear strikes and Amelia begins to share her son’s fantasy that a monster called the Bababook lurks throughout their home with no intention of leaving.
Paedophobia is a recurring theme amongst many horror movies and has been the driving theme for such films as Richard Donner’s The Omen, William Friedkin’s The Exorcist and even Lynne Ramsay’s contemporary horror/drama We Need To Talk About Kevin. It also goes without saying that the old haunted house routine has been tried and tested for generations and it’s these popular genre traits that Jennifer Kent taps into with her directorial debut. Employing a spooky tale (originating from a children’s bedtime story) with the huge responsibility and fear of parenting is a psychological device that’s entirely relatable and, for the most part, Kent is onto a winner with her concept. She captures the fear and disconnect between a struggling parent and an imaginative, problem child to great effect while still having time to utilise the genre clichés of creaky doors, perceptive family pets and looming presences in the shadowy corners of the household. Kent’s vision is very effective and she’s aided precisely by cinematographer Radek Ladczuk who does a marvellous job in achieving a monochromatic palette that depicts the house as cold and empty by using washed-out colours. The two central performances by Essie Davis and young Noah Wiseman are also equally committed and deserve mention for managing to convincingly portray their afflicted characters throughout the films entirety.
Without a doubt, it’s impressively handled. However, (and I find myself saying this often with modern horror) it fails to maintain it’s momentum. As we get closer to the revelation of The Babadook, we get further away from anything that resembles coherence or a convincing resolution. Maybe I missed the point but I was hugely disappointed in the direction the story took and I didn’t make complete sense of it. As is often the case with shorts that are fleshed out into a feature film, they have a tendency to run out of steam and I got the impression that Kent had a similar problem here. She struggled to deliver a satisfactory ending, leaving me frustrated (yet again) with a horror that had a lot of potential but, alas, suffered the same fate as so many others.
Despite it’s lacklustre denouement, there’s no denying that this is a very accomplished debut from Jennifer Kent. Her knowledge of the genre is apparent and her ability to stage it well goes without question. I hoped for a little more towards the end but I’d imagine less critical fans of horror than myself will be far more satisfied.
Mark Walker
Trivia: Director Jennifer Kent is a descendant of Australian silent film producers E.J. and Dan Carroll. The Carroll brothers produced a number of feature films in the 1920s including ‘On Our Selection’ and ‘The Blue Mountains Mystery’ with Raymond Longford and Lottie Lyell.
November 11, 2014 at 3:17 pm
Great post, Muckers. I think I liked it a little more than you – mostly because that bastard kid freaked me out so much.
Boat Drinks!
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November 11, 2014 at 9:33 pm
Yeah, I might be being a tad harsh on the rating but for me, it threw everything away at the end. That little guy was quite freaky though.
Boat Drinks!
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November 11, 2014 at 3:31 pm
Always enjoy reading your reviews, Mark. I’m always happy to see females taking the directorial lead and Kent seems to have done a good job, but when you have a script that’s wimpy….
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November 11, 2014 at 9:35 pm
Thank you Cindy. I appreciate the compliment.
Kent does a fine job. There’s no doubt about that and Essie Davis in the lead is also very good but, like you mention, the script really let the film down overall.
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November 11, 2014 at 4:01 pm
I totally agree with you on this. Personally, I thought it was way over hyped and thought it would have been a stronger film had Kent thrown out all the “haunted house” elements and just focused on the mother losing her mind. To me, that was where the real story was.
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November 11, 2014 at 9:38 pm
Definitely overhyped Ryan. Empire magazine gave it 5 stars and that raised my expectations a good bit.
Totally agree on the angle of the mother though. Had it focused more (instead of alluding to it) on the mental health angle, it would have been a stronger film.
I actually read your thoughts on it already but my internet connection was poor and stopped me from commenting. Your review was spot on.
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November 11, 2014 at 10:12 pm
Yeah, exactly! Empire and everyone else were so high on it for so long that it was nearly impossible to not get excited about it. Oh well, it’s nice to see horror getting that positive of a response regardless.
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November 12, 2014 at 12:08 am
It is good to see Horror being praised, Ryan. I agree. But, unfortunatley, on this occasion they hyped it a bit too much.
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November 11, 2014 at 4:04 pm
I pretty much agree with you on this Mark although I think I liked it better. The ending was sort of anti climatic and I saw a lot of other films in this including We Need To Talk About Kevin, The Omen , The Shining, etc. . I really liked the performances and the art used in the book. Man that kid was creepy, wasn’t he? But of course in the best possible way.
After seeing this I was thinking like Chekhov’s Gun principle (http://en.wikipedia.org/wiki/Chekhov's_gun) if you show an animal in the first act of a horror movie you have to kill it in the third act. (The Conjuring, Fatal Attraction, We Need To Talk About Kevin, The Amityville Horror, Cape Fear, Dead Calm, etc.). Maybe they should call it Chekhov’s Dog principal.
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November 11, 2014 at 9:42 pm
I hadn’t heard of Chekhov’s gun principle before Dave but you’re spot on there. Horror more than any other genre seems to follows these rules. They set it up and they knock it down. For that reason, I find horror quite predictable and few have any real surprises anymore.
I enjoyed this to an extent but it squandered everything that was so good about it. Still, Kent should impressive skill throughout.
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November 11, 2014 at 9:52 pm
Yeah a so-so or bad ending can kill an enjoyable movie for me. Se7en was brilliant in that Fincher was able to go with that ending. In Neil Marshall’s The Descent we, in America, got the happy ending while Europe got the down (but so much better ending). In fact most of Steven King’s books don’t work for me because of the endings.
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November 11, 2014 at 10:01 pm
Thats excatly what happened to me, dave. The ending killed it. Dead in the fuckin water, man. I wasnt a fan of The Descent to be honest but i catch your drift on King’s endings too. Fincher’s Se7en is one of the few that had the guts to really go for it and, as a result, remains one of the best of its kind.
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November 11, 2014 at 10:13 pm
You know Mark my favorite ending of all time is The Usual Suspects. My jaw nearly hit the floor when they pulled that reveal. Never saw it coming. It elevated what was a pretty great movie already into legendary status. I got such a rush I went to see it again the very next day. LOL.
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November 12, 2014 at 12:06 am
Thats one i wouldnt disagree with, Dave. I went to see that in the cinema with my dad and brother. All the way through the film, we kept wispering to each other who we thought it was and none of us were correct. When the reveal came, we laughed our fucking asses off, man. Such a twist that can even be appreciated with repeat viewings. Top drawer stuff.
I also loved the ending to Memento. A lot more subtle but it reveals the true motivation of Leonard Selby. Seemingly an innocent striving for truth but he has his own agenda to keep him going.
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November 12, 2014 at 12:33 am
Memento was a movie you HAD to see twice.
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November 12, 2014 at 12:40 am
Absolutely! It wasn’t entirely clear to me what his motivations were. It only became clear on repeat viewings but it’s a film that stands the test of time and the ending is just brilliant. I still think it’s Nolan’s best film.
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November 11, 2014 at 6:06 pm
Excellent analysis my friend. However, I have seen this film get more criticism than praise from the larger horror crowd. I have seen scathing tweets denouncing the film as not a horror, but rather a “grief piece”. I encountered the film with an open mind and was for the most part, quite impressed. I like the way Kent switched the genre on its head, almost making a study of mental illness rather than what we have come to expect as horror. I found this very refreshing, and although the budget did mean the film was rather rough around the edges I left suitably impressed.
I do agree with your point on the films conclusion or lack of one. Did she run out of ideas?
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November 11, 2014 at 9:44 pm
I think she did run out of ideas, mate. Such a shame as what she had set up was very good indeed. I can see why some would criticise it’s place in horror but I think it certainly falls into that category. However, the grief angle was a good one and as Ryan said earlier in the comments, it might have been even better had it focused a little more on that.
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November 12, 2014 at 8:50 pm
Yeah, I agree with that. Still, like you said, a very promising start for the new filmmaker.
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November 16, 2014 at 6:48 pm
Definitely a promising start for Kent. She’s certainly got the talent. I’ll be keeping an eye out for her in the future. There’s no doubt that she’ll delivering the goods soon enough.
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November 12, 2014 at 11:40 am
Have to disagree with Al (but I still think he’s great!), I’ve seen and heard nothing but praise. Not surprised this didn’t rock your world Mr Walker, but at least you didn’t hate it! Aussies make the best horror! (Except from the Spanish, French & Koreans. Maybe Asia in general is better but you get the gist……) 😉
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November 12, 2014 at 6:03 pm
Haha! I get the gist. Persoanlly, i think the Spanish are the best at it just now. Can’t overly fault this effort, ghough. It delivers the goods for the most part but like I’ve said to a few others and mention in my review, the ending is pretty crap!
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November 12, 2014 at 8:57 pm
Haha, The feeling is mutual buddy. Asian horror is quite effective and I would consider myself a fan, although I have been out the loop for some time, so let me know if there is anything you recommend.
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November 12, 2014 at 9:08 pm
I hear theres a new website that talks about horror, the name escapes me. But I hear its amazing…..that should keep you updated. It also hires the angry scotsman from this site too I believe 😉
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November 16, 2014 at 6:49 pm
Ha! Shameless plugging on my site? You’re on thin ice, Carter. 😉
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November 12, 2014 at 9:56 pm
Haha, Boom!!
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November 12, 2014 at 10:22 am
Interesting review Mark, will have to see this and report back on my opinion.
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November 12, 2014 at 10:58 am
If you don’t expect the classic that the critics have been hailing it as then you might enjoy this a bit more than me, Vinnie. It certainly isnt a bad film but it could have been better.
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November 12, 2014 at 11:03 am
Thanks for the heads up Mark.
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November 12, 2014 at 11:07 am
A pleasure as always, sir!
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November 13, 2014 at 6:22 am
Still looking very much forward to The Babadook good sir, but I think I will fall right in line with your perceptions here. So many times (modern) horrors build up quite promising things and then, like a house of cards, it all comes crumbling down with the last card to be placed perfectly. Goddamn my metaphors again.
In other words, I feel you on the weak conclusion frustrations. It seems to happen in this genre more than most! 😦
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November 16, 2014 at 6:52 pm
Haha! You and your metaphors, man.
This is certainly worth a look buddy but if don’t expect the modern classic that some critics have been hailing it as, then you just might enjoy it more than me. It was decent but I’m getting pretty pissed of with how horrors end these days. The endings always stink. The last good one I seen was The Orphanage. Other than that, there’s really not much to recommend.
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November 13, 2014 at 5:10 pm
Glad to see I wasn’t the only one who walked away disappointed from this one. I will say that I would love a copy of that book though.
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November 16, 2014 at 6:58 pm
Yeah, I was really enjoying it until it fell to pieces when wrapping things up. It’s definitely not as good as some critics would have is believe. True about the book, though. That was a creepy little device. Thanks for stopping by, man. Always nice to hear from new folk! 🙂
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November 13, 2014 at 8:28 pm
Great review Mark, I’m just not into something like this 🙂
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November 16, 2014 at 6:59 pm
Thanks Ruth. It’s not a bad film but not as good as many made it out to be.
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November 13, 2014 at 10:05 pm
Ooohhhh, I’m scared of watching this! It looks great to me, but I can see wht you would have reservations mate.
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November 16, 2014 at 7:01 pm
It’s not actually that scary, man. Like Ryan mentioned earlier in the comments, it more of a study on grief and paranoia. It works for the most part before falling hard at the end. I’d have rated it higher if the ending was stronger.
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November 14, 2014 at 2:00 pm
Maybe its just me, but I don’t get what everyone saw in this haha? I thought it was bloody awful. I love horror films, but I found the whole thing silly and thought the last act completely dragged.
The book was beautifully detailed though.
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November 16, 2014 at 7:03 pm
The book was great, wasn’t it? I could echo your thoughts on the film, though. I appreciated how it was shot and what the director and actors achieved but the writing was very sketchy and the ending just reeked of desperation. She didn’t know how to end it, quite frankly.
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November 27, 2014 at 10:47 am
You can actually purchase the book haha. It’s pretty expensive though.
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November 27, 2014 at 12:37 pm
Brilliant! I think I’d feel a little uneasy about reading that though. I may have been a bit harsh on the film but the book was quite freaky and I’d hate to tempt fate! 😉
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November 19, 2014 at 8:55 am
Great review mate. This so very nearly was brilliant but the ending let me down. Or rather the climax did when she confronted the Babadook. I didn’t mind the denouement so much, thought it was an interesting little take on the whole depression metaphor. Nearly brilliant, but not quite.
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November 19, 2014 at 2:14 pm
Cheers Chris! I think it was the climax and the denouement that let me down. It was a decent little metaphor but for me it wasn’t the payoff I was hoping for. Still, it was impressively handled and acted. Couldn’t fault that!
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November 19, 2014 at 11:37 am
Great work again!
I think that I enjoyed a lot of the psychology that was going on here, and when I picked apart the story and my suspicions as to what was going on, the end fit in way better than I thought, after originally panning it. Kent did a wonderful job for her first feature length 😀
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November 19, 2014 at 2:20 pm
I totally agree that Kent done great work here and the psychology behind the story was certainly interesting, but it just didn’t deliver when it mattered for me. That being said, I’ll be interested in what Kent delivers next. She certainly has talent!
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November 20, 2014 at 8:09 am
I’ve been hearing a lot of raves. Some calling it the best horror film in recent years. You’re review is lukewarm, but I must say my interest is piqued.
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November 20, 2014 at 8:11 am
“Your” review….I know the difference. Ugh! Darn spell check!!!
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November 20, 2014 at 9:35 am
I hear you, man. It happens to me all the time! So much so, that I don’t even apologise for it anymore 😉
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November 20, 2014 at 9:34 am
It’s not a bad film, Mark. I was really enjoying it but it started to dawn on me that it wasn’t quite was I had set my heart on and it didn’t fully deliver what I wanted from it. Still, it’s an impressive first feature from Jennifer Kent.
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December 6, 2014 at 8:05 pm
Finally got to see this. Have to say, I was blown away. Here’s my review: http://fastfilmreviews.com/2014/12/06/the-babadook/
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December 10, 2014 at 11:39 am
Glad to hear your enjoyed it, Mark. I’ll swing by a little later.
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December 16, 2014 at 6:54 pm
I quite liked this film. It definitely embraced some familiar devices but I found it to be a fresh kick in the butt to a genre that is so lacking these days.
Great review man!
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