God’s Pocket
Director: John Slattery.
Screenplay: Alex Metcalf, John Slattery.
Starring: Philip Seymour Hoffman, Richard Jenkins, John Turturro, Christina Hendricks, Eddie Marsan, Domenick Lombardozzi, Caleb Landry Jones, Peter Gerety, Glenn Fleshler, Prudence Wright Jones, Jack O’Connell.
“I don’t know why writing down what everybody knows, is any better than knowing it in the first place”
Along with A Most Wanted Man, God’s Pocket was sadly one of only two remaining lead performances from the late Philip Seymour Hoffman – after his untimely death in 2014 to a heroine overdose. For this alone, it’s worth reminding yourself what a great talent this man was and how the medium of film will forever miss his astonishing onscreen presence. If truth be told, it’s not a role that requires him to do very much and the film itself continually switches tones but like many other movies featuring this fantastic actor, it benefits from his commitment and his everyman naturalism.
After a mysterious construction ‘accident’, where his step-son Leon (Caleb Landry Jones) is killed, street hustler Mickey Scarpato (Philip Seymour Hoffman) is urged by the boys mother (Christina Hendricks) to find out what actually happened and to give the boy a decent burial. Mickey tries his best to investigate with the help of his friend Bird (John Turturro) but things go from bad to worse when Mickey gambles the funeral money and is left with a body he can’t bury and a debt he can’t pay as a local columnist (Richard Jenkins) begins to expose the events.
A sombre, lowbrow mood piece that’s very much character driven and has an authentic feel for it’s titular working class, Philadelphia neighbourhood, God’s Pocket. It’s inhabitants are seemingly stuck in their turgid, everyday lives where in order to make ends meet, they are forced into one scam or another. There are few redeeming characters in this tiny corner of the world but debutant director John Slattery (Roger Sterling from TV’s Mad Men) gives us an inside, almost fly-on-the-wall, look at how these blue collar crooks operate. The subject matter is certainly grim and cinematographer Lance Acord paints a suitably bleak picture. However, despite the stark nature, before you know it the film shifts from being a character drama to a very black comedy and it’s here that Slattery’s inexperience in calling the shots comes to the fore. Considering that the film starts so seriously, a sudden burst of humour comes as a real surprise and it takes a while to adjust. Once you accept that this, though, the black comedic moments become better timed. It’s certainly tonally uneven and you get the sense that Slattery is a little out of his depth in balancing it all but he does manage to deliver many excellent scenes, has a fantastic eye for detail and draws out superb performances from his entire cast.
This bodes well for the the directorial future of John Slattery but it’s just a damn shame that we won’t see much more from Hoffman. Not that I’m the religious type but if I was, I’d like to think that Hoffman has found centre stage in the pocket of God and it’s a pocket I wouldn’t hesitate to pick to bring him back to us. In such a short time, he proved to be one of the screen greats.
Mark Walker
Trivia: Both John Slattery and Christina Hendricks appeared in Mad Men from it’s beginning in 2007 till it’s final episodes in 2015, while Hoffman and Turturro both had small roles in the Coen brothers’ The Big Lebowski.
MARKED MOVIES 
November 27, 2015 at 2:10 am
I love the sound of PSH’s voice. John C Reilly’s too. I can hear them in my head. Matthew McConnaughey’s too.
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November 28, 2015 at 11:18 am
Indeed. Back in the past, both PSH and JC Reilly worked on Sam Shepard’s play True West where they’d swap roles every now and again. Sounds like you would have had a ball with that.
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November 29, 2015 at 12:22 am
Yes, I would have!
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November 29, 2015 at 8:53 am
I’d have been sitting in the next to you. I’m a big fan of them both too. 😉
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November 29, 2015 at 9:27 am
🙂
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November 27, 2015 at 9:06 am
Great review! Looks like a decent watch.
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November 28, 2015 at 11:19 am
It is a decent watch, Zoe. Tonally it’s uneven but there are many positive things to take from it.
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November 27, 2015 at 2:55 pm
Hadn’t heard of this one. Sounds like it’s worth a watch. Thanks!
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November 28, 2015 at 11:20 am
It’s worth some time, Sean. On occasion the changes in mood don’t quite gel but overall, still a decent little flick.
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November 27, 2015 at 7:11 pm
In what world would Christina Hendricks be married to PSH?
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November 28, 2015 at 11:31 am
Haha! I’m sure that’s a question many would ask. It gives men hope! 😉
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November 27, 2015 at 8:13 pm
This one flew under the radar, didn’t it?
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November 28, 2015 at 11:31 am
It did, Cindy. It’s not perfect but it still deserved more attention than it received.
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November 28, 2015 at 1:04 am
I really enjoyed this one Mark, though I agree that it is a bit all over the place tonally. it paints this bleak picture then suddenly PSH tells a story about a horse that is hilarious… it comes outta nowhere. Good call on that one mate
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November 28, 2015 at 11:33 am
Haha! That horse story was great, man. I was actually taken aback when the humour was introduced. It didn’t fit with the tone that the film began with but that said, it got easier and the humour worked better as the film went. I liked this one too.
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November 29, 2015 at 5:31 am
Yeah I was taken aback as well, but then settled into it. The horse story was great eh! Haha! Which do you prefer, this one or a Most Wanted Man?
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November 29, 2015 at 8:55 am
I’d have to revisit A Most Wanted Man, to be honest. I watched it late at night and thought it was very slow but I was tired. I reckon I’d take more from it when I’m more prepared. It was good but it didn’t quite hold my attention the way I expected. That could change on a revisit, though.
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November 28, 2015 at 11:57 am
Boy, I miss seeing PSH in movies. Nice work Mark 🙂
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November 28, 2015 at 11:59 am
A real loss, man. One of the best in my eyes. Fabulous actor!
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November 28, 2015 at 2:18 pm
Great review, I really miss Philip Seymour Hoffman what a talented guy he was.
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November 29, 2015 at 8:50 am
He was one of the best, Vinnie. No mistake about that. Cheers mate!
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November 29, 2015 at 9:14 am
At least there are so many wonderful performances of his to go back and watch over and over.
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November 29, 2015 at 9:48 am
Too many great performances to count.
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November 29, 2015 at 9:52 am
Very true, he left behind a multitude of great work.
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December 3, 2015 at 4:42 am
Nice review Mark. Despite loving pretty much everyone involved in God’s Pocket, I haven’t seen or even heard much about it beforehand. I didn’t even know John Slattery directed it and I’m a huge Mad Men fan.
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December 3, 2015 at 12:59 pm
Thanks man! It’s a decent film. There’s no doubt it has flaws and those mostly come across in its unsure tone but I still enjoyed it.
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