Manchester By The Sea
Director: Kenneth Lonergan.
Screenplay: Kenneth Lonergan.
Starring: Casey Affleck, Lucas Hedges, Michelle Williams, Kyle Chandler, Gretchen Mol, Matthew Broderick, Tate Donovan, Tom Kemp, Kara Hayward, C.J. Wilson, Anna Baryshnikov, Josh Hamilton.
“I said a lot of terrible things to you. My heart was broken, and I know yours is broken, too”
As Oscar season arrives, you can always expect a film to appear where it wants to throw its weight around and get its hands dirty by delivering a downbeat drama where the writing is empathetic and the actors can really show off their chops. Manchester By the Sea is that sombre type of Oscar bait film but to think of it as solely that, is to miss it’s true depth and beauty.
Plot: Lee Chandler (Casey Affleck) is a Boston janitor who lives his life as a loner. One morning, he receives a phone call that his brother has died from a sudden heart attack. As a result, he returns to his hometown where he finds out that he’s been trusted with the guardianship of his 16-year-old nephew. Lee rejects the responsibility while being back home begins to unearth a dark and tragic secret that caused him to leave in the first place.
Kenneth Lonergan is a well respected playwright and screenwriter in the Hollywood circle but he’s actually directed less than a handful of films – three to be exact. His debut You Can Count on Me in 2000 was critically acclaimed and even managed a couple of Oscar nominations – including one for Lonergan’s screenplay. However, it took him years before he could get his next film completed. The film in question being the underrated and overlooked Margaret. It was finished in 2007 but didn’t get a release until 2011 due to lawsuits surrounding the final cut of the film. Such nonsense could have forced Lonergan to give up entirely and that’s exactly what concerned his friend Matt Damon. As result, Damon approached him with an idea that he and John Krasinski had come up with. The result was Manchester By the Sea. Sadly, Damon had to drop the lead due to prior commitments and the part went to Casey Affleck instead. In hindsight, he turns out to be perfect for the role.
Much of Affleck’s character is shrouded in mystery and that’s the driving force behind Lonergan’s screenplay. It’s the ambiguity and air of secrecy that holds your attention but throughout the earlier part of the film we are given snippets of information. When the revelation is actually made and it becomes clear why Lee is so reclusive and withdrawn, it’s absolutely devastating and changes the narrative and motivation of his character considerably.
For the most part, it’s a quietly affecting drama. It doesn’t play its hand too forcefully, instead relying on its moments of emotive power to develop naturally. It focuses on bringing dignity to the lives of everyday people and fully relates the heartache in looking grief and sorrow in the face and finding love and responsibility in their place.
Although it’s sounds depressing, Lonergan fills it with a lot of dry humour and the entire cast are excellent; Kyle Chandler only features in flashbacks but he brings a really strong paternal presence and, despite appearing high in the film credits, Michelle Williams actually features very little. Although you wouldn’t think so, such is the power of her performance in a few short scenes. Ultimately, though, this is Affleck’s film. I’d heard a lot of positivity surrounding his award winning work here and I have to admit that the praise is justified. The thing is, on the surface it doesn’t look like he’s doing very much at all but there are many subtle layers to his performance and to his understanding of this afflicted and tortured character. It’s a masterclass in understatement. He allows Lee to reveal himself naturally (and quietly). Much like his performance in The Assassination of Jesse James by the Coward Robert Ford, Affleck does very little yet says so much. It’s hard not to see him win an Oscar for this.
Manchester By the Sea is a slice of life where the characters are meticulously drawn and the small town itself plays a major role. It possesses real emotional depth and with a leisurely pace and a lengthy running time, it’s a big ask from Lonergan for you to invest in these people. But if you do, you’ll be paid dividends and he keeps good on that promise.
Mark Walker
Trivia: Kenneth Lonergan makes a cameo as the Manchester Pedestrian who heckles Casey Affleck for being a bad parent.
February 24, 2017 at 4:08 pm
Nice review, I will see it this year for sure. Washington is the front runner since taking the SAGs which is a lot of crossover membership with the academy. But Affleck has won the BAFTA and the Globe and Washington already has two Oscars so if anyone can do it – it will be Affleck.
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February 24, 2017 at 4:19 pm
Thanks Lloyd. I had no idea Washington took the SAG. That does make in an interesting contest. I struggle to see past Affleck although, admittedly, I’m premature with that opinion as I’ve not seen Fences yet. Washington is always quality but, as you say, he’s done it twice before and that could go against him. Affleck really impressed me here. Beautifully nuanced performance.
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February 24, 2017 at 6:05 pm
I knew you’d like it. It’s dark and depressing and cold. 😉
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February 24, 2017 at 6:09 pm
Haha! A bit like myself! 😉
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February 24, 2017 at 11:23 pm
That house fire instilled in me some of the most acute, exquisite pain I’ve experienced in some time. That . . . was just . . . . fuck man.
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March 1, 2017 at 7:20 pm
I hear you, man. There were a few devastating scenes in this. It genuinely got me hard on a number of occasions.
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February 25, 2017 at 12:39 pm
Looks like you and I are back on the same wavelength mate! What a powerful work of cinema this was and Affleck is absolutely awesome. That central sequence is hugely moving. We need more films like this.
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March 1, 2017 at 7:22 pm
Nice one, mate. This was a genuine highlight of the year. Of all the films nominated, I’d have picked this to win. Outstanding drama with outstanding performances.
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February 26, 2017 at 5:27 am
Great review and well written! Mind dropping a follow to http://www.tvandcity.com ? We’re a new site trying to gain some traction.
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March 1, 2017 at 7:24 pm
Hey thanks! I appreciate you stopping by. I shall do likewise. 🙂
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February 26, 2017 at 9:45 pm
I think I may have to see this before its gone from the cinemas! I love Casey Affleck, much better than his brother IMO
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March 1, 2017 at 7:29 pm
Affleck alone is worth checking this out, man. It’s a solid film and Affleck is hugely effective yet makes it seem so effortless. A deserved Oscar for him this year.
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February 27, 2017 at 5:49 pm
I can’t say enough about how wonderful I thought this movie was. You’re right, it doesn’t overplay its hand. I feel it always stays true to its characters and just lets the story tell itself.
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March 1, 2017 at 7:19 pm
Couldn’t agree more, Matt. It’s beautifully paced and judged which only adds to its authentic feel. This should have won best picture.
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March 3, 2017 at 10:14 am
Hopefully I catch this one soon, seems to be a solid film. Great write up Mark!
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March 3, 2017 at 8:10 pm
It’s very good, Zoe. Out of all the films nominated for best picture, I’d have given it to this. It’s a devastating drama.
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April 14, 2017 at 9:58 pm
Completely in agreement apart from one thing – I stapled the full five stars right on Manchester’s heiny!
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April 14, 2017 at 10:11 pm
Nice! I can see why mate. I won’t split hairs on that rating. I loved Manchester. Absolutely devastating in parts. Why I didn’t staple the same on its toosh, I honestly can’t say. Maybe I will when I see it again.
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