MARKED MOVIES

Director: Doug Liman.
Screenplay: Gary Spinelli.
Starring: Tom Cruise, Domhnall Gleeson, Sarah Wright, Jesse Plemons, Caleb Landry Jones, Lola Kirke, Jayma Mays, Alejandro Edda, Benito Martinez, E. Roger Mitchell, Jed Rees, Mauricio Mejía, Jason Warner Smith.

“It ain’t about room, alright? It’s about weight”

Say what you will of Tom Cruise as I’m fully aware that some don’t take to him at all but, personally, I’ve always been a fan. That said, it’s been some years since I’ve fully embraced a film of his as nothing has really showcased his abilities. As good as they were, I turned a little cold on the Mission: Impossible series where Cruise seemingly focused on being an action star for a while. American Made, however, sees him return to what he does best. This is a tailor made role for the likes of Cruise’s cocksure mannerisms and shit-kicking grin. In fact, the film thrives on him in the lead which makes this very enjoyable entertainment.

Plot: In 1978, skilled airline pilot Barry Seal (Tom Cruise) is contacted by CIA agent Monty Schafer (Domhnall Gleason), who employs him to photograph communist facilities over Central America. Barry accepts but it’s not long before he’s contacted by the Medellin Cartel to transport drugs back to the USA. Before he knows it, Barry is making millions in drug and gun-running which involves everyone from the FBI, the ATF, the CIA and the the Contras in Nicaragua. The longer it goes on, however, the harder it becomes for Barry to get out.

I’ve now lost count of the amount of films that portray a character that spirals out of control once involved in some drug running or criminal activity. Tv’s Breaking Bad became a critically acclaimed phenomenon for a start but the ones that spring to mind, when comparing American Made to anything, are the 70’s set Johnny Depp film Blow and, in terms of its style and vibrancy, Scorsese’s Goodfellas. Now, I wouldn’t put this in the same class as Scorsese’s masterpiece but it’s equally as good as (if not better than) the aforementioned Ted Demme film. There’s a lot of style and pizazz to Doug Liman’s portrayal of this very interesting time in American history. He gleefully exposes the political machinations behind the events and doesn’t pull punches in indicting President Ronald Reagan, Governor Bill Clinton and the CIA in there involvement with such a huge drug running cartel and their intentions to quash a South American uprising from the Sandinistas. Put simply, everyone had their fingers in a lot of pies at this time in America and Barry Seal happened to be “the gringo that always delivers“. It’s serious stuff but what makes it so enjoyable is because Cruise injects such a tongue-in-cheek zaniness to the whole affair while Liman confidently handles the material with a great eye for the 70’s and 80’s period detail and intercuts the film with news footage of the events as and when they came to public knowledge. It’s a good case of truth being stranger than fiction and that’s what grabs your attention as you roll with the ridiculously over-the-top scenarios.

Cruise is hugely appealing here. His southern accent adds another dimension and character to his resumé that’s refreshing to see. He can play these characters in his sleep but it’s been a while since we’ve seen it. It feels like old school Cruise and it’s a pleasure to have him return.

Mark Walker

Trivia: Ron Howard was considered to direct but lost to Doug Liman.

This entry was posted on January 15, 2018 at 3:20 pm and is filed under Action, Biography, Crime, Drama with tags 2017. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.