Waking Life * * * * 1/2
Director: Richard Linklater.
Screenplay: Richard Linklater.
Starring: Wiley Wiggins, Ethan Hawke, Julie Delpy, Adam Goldberg, Nicky Katt, David Sosa, Alex Jones, Otto Hofmann, Lorelei Linklater, Richard Linklater.
Richard Linklater has always been an interesting director; he’s ranged from his debut independant hit “Slacker” to refreshing 70’s nostalgia in “Dazed and Confused”, through anti-corporate polemic “Fast Food Nation” and cult sci-fi “A Scanner Darkly”. He’s effortless in his range and always involving, but none more so than this unsung gem.
A young man (Wiley Wiggins) walks through life as if in a dream. He talks to a variety of people about the meaning of life and the purpose of the universe, striving for answers as to his direction and his place in the cosmos.
Waking Life is the type of film that’s hard to put into words. The striking visuals are most certainly noteworthy and Linklater’s exploration of the bigger questions in life will only appeal to those who invest and bring something to the film themselves. It has many insightful philosophical ramblings and monologues on the nature of our existence; the purpose of our being; the difference between our dream state and waking life; whether dreams can be controlled and how much they have to tell us.
Using an animation technique called ‘rotoscoping’ – which he later used to equally excellent effect in “A Scanner Darkly” – Linklater works with a medium that allows him to fully explore his ideas and theories in capturing a perfect representation of the dream world and has crafted a highly innovative and wonderfully surreal piece of work. Throughout the journey he discusses essays by paranoid science-fiction writer and philospher Philip K. Dick to lucid dreaming and poses deeply involving existential questions. These questions are never answered fully, teasing us to get involved in the process, question ourselves and become part of the protagonists hallucinogenic, dreamlike trip.
A very intriguing and visually inventive film that isn’t afraid to wear it’s philosophical heart on it’s sleeve. Rarely are such movies delivered where they appeal to both the eye and the head. An existential treat.