Oblivion * * 1/2
Director: Joseph Kosinski.
Screenplay: Karl Gajdusek, Michael Arndt.
Starring: Tom Cruise, Morgan Freeman, Andrea Riseborough, Olga Kurylenko, Nikolaj Coster-Waldau, Melissa Leo, Zoe Bell.
Say what you will about Tom Cruise but there’s no denying that his choice of projects have always been bankable. Throughout the 80’s and 90’s most of his films and performances were of a particularly high standard. The same could be said of the 00’s as well. However, over the last three years, cracks are beginning to appear; “Knight and Day“, “Rock of Ages” and “Jack Reacher” have failed to register any form of quality. On the surface, “Oblivion” has all the hallmarks of the Cruiser getting back on track but, unfortunately, proves just as lacklustre as the aforementioned duds.
In the year 2077, Earth has been obliterated by an alien race and the surviving members of humanity have moved on to inhabit Saturn’s moon, Titan. Jack (Tom Cruise) and his wife Victoria (Andrea Riseborough) have remained on earth, though, to protect machinery harvesting the planet’s resources before Jack begins to suspect that his mission isn’t as straightforward as he thought it was.
Director Joseph Kosinski follows up his previous science fiction film “Tron Legacy” with another venture into the future. He works from his own graphic novel and delivers an intriguing premise that pays homage to classic Sci-Fi movies like “2001: A Space Odyssey” and “Planet of the Apes“. His setting is suitably bleak (captured beautifully by cinematographer Claudio Miranda), his use of visuals are striking and his tone is perfectly sombre. In fact, Kosinski actually assembles a good addition to the science fiction genre. Unfortunately, his assembly soon falls apart due to a script that’s devoid of any substance or characters that we can invest in. The pace is lethargic, to say the least, which only really registers that a lot of the film is just padding. Nothing happens for a good chunk of the movie and when the plot is finally opened up, it fails to make sense or hold any form of coherence. Even if it did, your likely to have lost interest by that point anyway. Cruise wanders around aimlessly (presumably in search of characterisation) and the likes of Morgan Freeman and Nikolaj Coster-Waldau needn’t have turned up at all. The most frustrating thing overall, though, is that the big reveal is one that we’ve seen many times before and all, but completely, rips-off Duncan Jones’ far superior “Moon“. The similarities are almost shocking and I wouldn’t have been surprised to have seen Jones’ name on the screenwriting credits.
Kosinski is a director that may yet find his feet. He certainly has an eye for sumptuous visuals and can stage a fine action set-piece. However, he really needs to work on a coherent narrative and one that isn’t as dull or desolate as the landscape that his characters roam.