Evil Dead * 1/2
Director: Fede Alvarez.
Screenplay: Fede Alvarez, Diablo Cody.
Starring: Jane Levy, Shiloh Fernandez, Lou Taylor Pucci, Jessica Lucas, Elizabeth Blackmore.
It’s been over 30 years since director Sam Raimi gave us his cult horror classic “The Evil Dead” in 1981. Now, like most other films of the genre, we are given the unavoidable remake. Raimi is on-hand again, with producing duties, but the same can said of most remakes, in that they needn’t have bothered in the first place.
In order to kick her heroine habit, Mia (Jane Levy) and a few friends head to a remote cabin away from society and any temptations. It’s here, that they stumble upon some strange goings on in the cellar and find the Book of the Dead, which once opened, releases a demon intent on possessing them all.
The difference between this and the stylishly imaginative original, is that Raimi’s was shot on a shoestring budget by a bunch of college students, intent on experimenting and pushing boundaries. This, on the other hand, throws in the bucks and it’s use of gratuitous gore simply doesn’t have the same impact or originality of it’s tongue-in-cheek predecessor. The approach that debutant director Alvarez takes is the film’s biggest issue: it has an innate inability to laugh at itself. It’s far too serious and as a result has to be judged on that. It’s one of those horrors were you know not to expect logic, reasoning or any form of a sensible decision by it’s characters. They’re merely there as fodder for some soul devouring evil entity. It is what it is, and that’s fine, but when you ask an audience to fully commit themselves, then you have to offer them something in return. If it was in touch with it’s sense of humour then this could have been a wild ride in a similar vein to “The Cabin in the Woods“. Unfortunately, it isn’t and its serious, po-faced approach comes across as ludicrous. Added to which, it’s a horror film that has very few genuine frights, a surprising lack of suspense and it’s use of jump scares are glaringly obvious and redundant. To be fair, it does bring some laughs to the table, but those laughs are entirely unintentional.
One for the torture-porn generation that have no interest in characterisation or plot development. It’s main agenda is to deliver gore and plenty of it. In that respect, it delivers but on every other level it fails miserably. Unequivocally, the worst film of 2013.