Director: Richard Linklater.
Screenplay: Stephen Belber.
Starring: Ethan Hawke, Robert Sean Leonard, Uma Thurman.
“I’m not high and mighty. I’m too high to be high and mighty”
As a companion piece to the marvellous Waking Life, director Richard Linklater delivered this experimental and solid little adaptation of Stephen Belber’s stage play. Some may not have even heard of this one, let alone seen it, as it’s probably one of his most unseen works. As always with Linklater, though, it confirms his place as one of the most original and under appreciated of American filmmakers.
Jon (Robert Sean Leonard) is a local boy who catches a big break as an actor and returns to his home town to attend a film festival where he is appearing in a new movie. At a motel he meets up with Vince (Ethan Hawke), his old high school friend. However, Vince hasn’t changed a bit and seems intent on bringing up things from the past which Jon seems happy to let go of. When Amy (Uma Thurman), another friend from school appears, things don’t quite add up as their past relationships have more to them than some of them care to admit.
Set entirely within the confines of a small, cheap motel room with bad decor, Linklater’s ingenuity is apparent from the offset. He shoots on digital video achieving a true minimalism that fully captures the feel of a stage play. There’s no music score or elaborate sound effects, but only the highly charged, back and forth interaction between Hawke and Leonard (reuniting after Dead Poets Society). This might not sound too appealing on the surface but it’s entirely effective for the material and the inclusion of an old flame in Thurman, adds a captivating edge to the overall purpose and motivation of the three-dimensional characters.
As a chamber piece, dialogue is the order of the day here and it’s sharply written and tensely delivered by all three cast members. Their awkwardness is apparent in their exchanges and they have us constantly wondering who to side with while Linklater utilises his environment to marvellous effect. In such a confined space, his movement with the camera is very impressive and he fully captures the claustrophobia and tension to perfection.
Sometimes Linklater will delver a film that just doesn’t receive the recognition it deserves and Tape can certainly be included among these. Criminally overlooked upon it’s release (and since) as this is a brilliantly realised adaptation that benefits from strong performances, inventive direction and maintains it’s intensity right to the very end.
Trivia: It was during the time of filming this movie that Linklater decided to embark on his hugely ambitious, 12 year project “Boyhood”.