Three Billboards Outside Ebbing, Missouri
Director: Martin McDonagh.
Screenplay: Martin McDonagh.
Starring: Frances McDormand, Sam Rockwell, Woody Harrelson, Peter Dinklage, John Hawkes, Caleb Landry Jones, Lucas Hedges, Abbie Cornish, Zeljko Ivanek, Kerry Condon, Amanda Warren, Malaya Rivera Drew, Kathryn Newton, Sandy Martin, Brendan Sexton III, Nick Searcy, Jerry Winsett, Darrell Britt-Gibson, Clarke Peters.
“What’s the law on what you can and can’t say on a billboard? I assume it’s you can’t say nothing defamatory, and you can’t say, ‘Fuck’, ‘Piss’ or ‘Cunt’. That right?”
Although Martin McDonagh’s last film, Seven Psychopaths, had a fervent fan base I was very disappointed in it; narratively it was all over the place and I found the humour to be extremely forced. With Three Billboards… it’s good to see that McDonagh has taken stock and decides to deliver something a bit different this time. Like his brother, John Michael, did after delivering laughs with The Guard, he followed it up with a more serious tone in Calvary and it was a magnificent change of direction. This doesn’t quite hit the same level as his brother’s aforementioned film but there’s still plenty to admire here.
Plot: Mildred Hayes (Frances McDormand) is an angry, grieving mother who demands justice for the rape and murder of her teenage daughter. But after months have passed and still no arrests, Mildred makes a bold move and has three billboards erected that accuse the local Chief (Woody Harrelson) of doing nothing about it. This causes a feud between Mildred and the local law enforcement that only escalates over time.
As the title suggests, we open on said three billboards which serve as the driving force behind the film’s plot developments. Although the message they contain is a striking one, they essentially serve as a self-reflective, moral question that eats away at a number of the small towns inhabitants – none more so than Francis McDormand’s mother of the deceased and Woody Harrelson’s Police Chief in charge of the investigation.
What McDonagh manages to capture here is a fine sense of small town America and how such a tragedy can be so impactful and devastating. This is ultimately the strengths within the film as well as some excellent acting from its three principle leads in McDormand, Harrelson and, the always reliable Sam Rockwell. There’s also some fine support in the mould of Caleb Landry Jones, John Hawkes and, the infinitely appealing, Peter Dinklage. To accompany the cast of oddities we have a wonderfully fitting score from Carter Burwell that’s reminiscent of his contributions to the works of the Coen brothers. The Coens this ain’t, however. McDonagh isn’t able to balance his film with the same finesse as the Coens. As he did in his previous films In Bruges and Seven Psychopaths, he includes some offensive racist jokes in one hand while bordering on sexism in the other. As if that’s not enough he has Dinklage on the receiving end of one-too-many “midget” jibes. If handled with a bit more subtlety then they might have been acceptable but it’s the needless repetition of these remarks that make them unpleasant. These were the issues I had with the film as they create tonal shifts that feel uneasy and show that McDonagh is trying too hard to be funny when there’s really no need. When he’s not concerned with humour, however, McDonagh is actually delivering a solid low-key drama and thankfully that’s what takes precedence.
McDormand hasn’t been offered a role this good since her Oscar winning turn in Fargo but, as good as she is, I’m not understanding some of the glowing, five-star, reviews the film itself has been receiving – much like I didn’t understand the love for Seven Psychopaths. Maybe it’s just me but McDonagh really needs to work on his tonal inconsistencies, which play havoc on an otherwise great concept. There are contrivances and some plot developments that simply don’t work but as a commentary on the state of modern America it’s quite astute and while it explores some mature themes, I just can’t get past the overriding feeling that McDonagh has yet to grow into a mature filmmaker. This is a good film but it just lacks that cutting-edge spark to make it a great one.
Mark Walker
Trivia: The bandanna Mildred wears is an homage to The Deer Hunter, of which Martin McDonagh and Sam Rockwell are avid fans. During the filming of Seven Psychopaths, they often discussed the movie with its star Christopher Walken.
January 8, 2018 at 2:40 am
Good review, looking forward to watching this one
LikeLiked by 1 person
January 8, 2018 at 3:42 am
Thanks Jules. It’s a good film but others have appreciated a bit more than myself.
LikeLike
January 8, 2018 at 3:44 am
Bit like myself with “Baby Driver”, I could not see the “greatness” others attributed to the film
LikeLiked by 1 person
January 8, 2018 at 4:20 am
Yeah, I’d agree on that. Baby Driver was okay but nothing special in my view.
LikeLike
January 8, 2018 at 3:30 am
Oh, yes. We’re very much on the same page with this one, Mark.
LikeLiked by 1 person
January 8, 2018 at 3:43 am
Cheers Michael. Glad to hear we’re in agreement. Although, the film wasn’t perfect, there were many things that impressed me.
LikeLiked by 1 person
January 8, 2018 at 8:08 am
Uhm, Mark, I’m not sure if I will be with you on this one. I haven’t seen the film, but I really liked 7 Psychopaths… Of course, it wasn’t a masterpiece, but it was original. Some of Coens’ movies (I love Coens!) weren’t too different, except that they were more graceful and at times more artsy. 7 Psychopaths was more down-to-earth feeling, maybe.
Maybe it’s just not your type of movie? Anyway… I haven’t seen it yet 😀
LikeLiked by 1 person
January 8, 2018 at 9:25 am
Fair enough, man. To each their own. If you liked Seven Psychos then there a great chance you’ll rate this higher than me.
Seven Psychos was one of my most anticipated for it’s year. I always like Rockwell and Chris Walken and I’m a huge Tom Waits fan. Farrell and Woody Harrelson can also be great on their day but that film was just a mess for me. Such a wonderful cast wasted.
That said, Three Billboards is a different film. It’s more a drama than comedy but the comedic moments of dialogue reflect the same tone of Seven Psychos. I liked this one much more but it does have tonal and pacing issues. Besides that, though, it’s a good film but just not the five star experience that some critics claim.
LikeLike
January 8, 2018 at 6:11 pm
Maybe… I love Tom Waits too. Haha I guess I overrated 7 Psy… because of its incredible cast 😂
LikeLiked by 1 person
January 8, 2018 at 7:11 pm
Haha! Maybe so. You’re not alone though. Many people liked. I found myself in the minority.
Great to hear you’re a fellow Waits fan. I find we are a very unique few. The man’s a lyrical genius.
LikeLike
January 9, 2018 at 7:28 am
Absolutely! What are your favs?
LikeLiked by 1 person
January 9, 2018 at 3:13 pm
Man, where do I start? Huge fan of Rain Dogs and Blue Valentine. Nighthawks at the Diner is also wonderful. But songs like Kentucky Avenue, Tom Trauberts Blues and Small Change always stand out. There’s just so many to choose from. His soundtrack to One From The Heart was also class.
LikeLike
January 10, 2018 at 6:30 pm
Nice!! My all-time favourite is Bone Machine 😍
LikeLiked by 1 person
January 12, 2018 at 12:41 am
Interesting choice. Bone Machine was one that I struggled with a little. I’m more drawn to the lounge-lizard material of his earlier years.
LikeLike
January 13, 2018 at 7:08 am
If I recall it right, Mark Ribot and some other guest musicians contributed heavily on Bone Machine. In one of the songs Tom Waits played the bass or guitar that thd guest musician waz supposed to play, and the other guy did some other instrument he barely knew… All this to give it a raw sound. It’s a pretty heavy album, actually! But I love many others too, especially Rain Dogs! It’s such a joy!
LikeLiked by 1 person
January 14, 2018 at 4:52 pm
Yeah, from I remember, it was the first song that I heard Waits and Keith Richards collaborate on. I do like Bone Machine but it’s just a little too raw (and loud) for me. I still appreciate what Waits was going for, though.
LikeLike
January 14, 2018 at 8:19 pm
I love when big artists experiment 😊
LikeLiked by 1 person
January 14, 2018 at 9:15 pm
Absolutely! That’s why I love Waits. It isn’t just his songwriting or his ability to transport you to the underbelly of society but it’s also his desire to grown and experiment as an artist. That whole thing about him making his own instruments from old pieces of junk is truly creative stuff. He my all time favourite alongside Dylan and Leonard Cohen.
LikeLike
January 15, 2018 at 5:57 am
Well said, Mark! 😊
LikeLiked by 1 person
January 9, 2018 at 7:31 am
…and a good actor. I looove Down By Law 😍
LikeLiked by 1 person
January 9, 2018 at 3:14 pm
A fabulous actor. One of the few musicians who actually can act. And yes!!! Down By Law is just superb. 🙂
LikeLike
January 10, 2018 at 6:30 pm
Coffee & Cigatettes too 😃
LikeLiked by 1 person
January 12, 2018 at 12:42 am
By far the segment of the film is Waits and Iggy Pop. That’s an absolutely hilarious sketch between them both.
LikeLike
January 13, 2018 at 7:11 am
Yes 😍 I love all episodes though! Except the last one, maybe, it doesn’t feel so special.
LikeLiked by 1 person
January 14, 2018 at 4:53 pm
I always felt that the rest of the film paled in comparison to Waits and Iggy’s segment.
LikeLike
January 14, 2018 at 8:19 pm
Even Bill Murray? 🙄
LikeLiked by 1 person
January 14, 2018 at 9:16 pm
Bill Murray is always magnificent. But the tete-a-tete with Waits and Iggy is just sublime. That scene will one day appear in my classic scenes feature.
LikeLike
January 15, 2018 at 8:31 pm
Yes, it was special.
LikeLiked by 1 person
January 15, 2018 at 8:32 pm
I don’t know however if it was staged or real.
LikeLiked by 1 person
January 17, 2018 at 3:31 am
That’s a good question. It certainly all felt natural.
LikeLike
January 9, 2018 at 1:45 am
Good review my friend. I struggled through the final draft of my review tonight. It’s funny, we share several observations almost identically. I’ve had a hard time landing on this film. It’s far from perfect.
LikeLiked by 1 person
January 9, 2018 at 3:19 am
This is a good flick, brother. But it makes things hard for itself. The qualities are there but it’s the forced nature that irks me. I can cope with humour that’s non- PC but this pushes it a wee bit too far. That said, this is Often the problem I have with McDonagh.
LikeLike
January 11, 2018 at 3:58 pm
Woah… Francis McDormand, Sam Rockwell, and Woody Harrelson are three actors I always admire and enjoy watching. These 3 can manipulate any given plot, whether shitty or superb. I’m so watching this one.
LikeLiked by 1 person
January 12, 2018 at 12:43 am
They’re all great here and unfortunately they do have to elevate the material. I liked this flick but I had some real issues with some of the writing.
LikeLiked by 1 person
January 17, 2018 at 9:17 am
I’m with you on the tonal consistencies – it didnt ruin the film for me but I didn’t like it all that much as a result. McDormand was good but overall I don’t think McDonagh is a particularly good filmmaker and I’m surprised to see this getting so much love.
LikeLiked by 1 person
January 18, 2018 at 1:00 am
I liked it to an extent. It’s was a huge improvement over Seven Psychos but I did have issues with it. The script is a little all over the place and the tonal inconsistencies are blatant but, like you say, McDormand was was good. But I’ll bet that she knows her husband, Joel Coen, can do this type of shit far more effectively. – maybe that’s why she had reservations on accepting the part in the first place?
LikeLike
January 30, 2018 at 9:53 am
I loved this movie. It wad in my top 10 films of 2016. Would appreciate it if you could check out my article here https://scribblesofstageandscreen.com/2018/01/27/my-top-ten-films-of-2017/
LikeLiked by 1 person
January 30, 2018 at 3:48 pm
I liked 3 Billboards but I wasn’t as keen on it as others seemed to be. I enjoyed the drama but a lot of the black humour didn’t entirely fit for me. It felt at odds with the film’s tone.
LikeLiked by 1 person
February 4, 2018 at 11:29 pm
I’ve noticed the tonal criticism come up a few times but it wasnt an issue for me watching the movie. One of the interesting things about the movie to me was how it could shift tonally from very dark to comical in a matter of lines; a great example being the flashback which shows the somewhat hilarious argument between Mildred and her daughter which ends with very dark and fateful final words shared.
LikeLiked by 1 person
February 5, 2018 at 12:20 am
You’re not alone in your love for it. It certainly seems to have struck a chord with many people. I liked it but, yeah, I didn’t find that the tonal shifts worked all that well. I felt like I was being dragged from one joke to the next and it felt forced and took me out of the drama every time it happened. I’ve often had this issue with McDonagh’s humour though. I find it jarring.
LikeLiked by 1 person
February 5, 2018 at 12:51 am
Yeah, I can get that. How do you feel about Tarantino?
LikeLiked by 1 person
February 5, 2018 at 12:58 am
It’s funny you mention him alongside McDonagh. I like Tarantino, particularly his first three films – Dogs, Pulp & Jackie Brown are masterworks. In terms of being able to balance tonal shifts, I think he’s a Tarantino is very adept at it. In fact, one of my criticisms of Martin McDonagh’s Seven Psychopaths was that he was trying to be Tarantino and failed miserably with that film. 3 Billboards is certainly an improvement over that but I still don’t think that McDonagh is in the same league as Tarantino when it comes to writing dialogue.
LikeLiked by 1 person
February 5, 2018 at 1:10 am
Very interesting point of view. My feeling initially is that McDonagh’s dialogue is better, although this maybe because I’ve read some of his plays too. I’d have to think about why for a while though and perhaps I’d change my mind on reflection. Tarantino’s tonal shifts are definitely, on the whole, more measured and smooth. They’re very extreme with McM, like you say. Seven Psychopaths is my favourite of his movies, although I love all of them, I found it the most fun. It’s probably his worst movie for dialogue though and most forced. I enjoyed the way a traditional McDonagh plot is yanked in other directions by Hollywood tropes and convention. I also found the use of the Buddhist very moving. The drastically shifting stories within the story reminded me of some of his other work, although the other examples of more smooth and tonally consistent.
LikeLiked by 1 person
February 5, 2018 at 1:19 am
Admittedly, I haven’t read any of McDonagh’s plays (I should remedy that) but for me Seven Psychopaths is his worst film. I had such high expectations for it and it ended up the most disappointing film of the year for me. I liked the self-referential angle but i thought it was messily played out and it became the very type of material that it was trying to make fun of. That said, I found myself in the minority with my views and it seemed to do very well with a lot of people. I actually find McDonagh’s brother – John Michael McDonagh a better filmmaker. Don’t get me wrong, I hated last years War on Everyone but Calvary was a work of genius and I found he got the tonal shifts in that film absolutely spot on.
LikeLiked by 1 person
February 5, 2018 at 1:30 am
Ah, man, I love Calvary and The Guard, War on Everyone was kind of unbelievable though. I think Seven Psychopaths now is generally considered his worst film, In Bruges has a big cult following and it seems like Billboards has hit pretty big. I guess we’ll see what history makes of it. The comparison between the brothers is a tricky one for me though, Calvary is incredible. Really I’d have to rewatch these movies close together and ponder for a while but I think Martin creates more intriguing and darkly absurd scenarios that I appreciate slightly more than John’s stuff. Very curious to see what JMD does next though. Really enjoying your work, dude.
LikeLiked by 1 person
February 5, 2018 at 1:38 am
Yeah, it’s probably fair to say that In Bruges cult status and 3 Billboards’ success will leave Seven Psychopaths behind somewhat. For me, that’s a fair reflection. I’m keen to see more from John as well. I had a fully heard that he was initially doing a death/Suicide trilogy with Brendan Gleeson and his third instalment was supposed be after The Guard and Calvary but it never materialised. War on Everyone appeared and it wasn’t what I expected or wanted. Who knows if he’ll ever complete that trilogy?
Yeah, thanks for dropping in mate. I noticed you’ve been the doing the rounds on some of my older reviews. Can’t thank you enough for your support, man! Cheers!
LikeLiked by 1 person
March 3, 2018 at 2:26 am
[…] while other leading awards contenders like Dunkirk, Lady Bird, The Post, Call Me By Your Name and Three Billboards Outside Ebbing Missouri didn’t do enough to even warrant a place […]
LikeLike