
Director: Denis Villenueve.
Screenplay: Hampton Fancher, Michael Green.
Starring: Ryan Gosling, Harrison Ford, Ana de Armas, Robin Wright, Jared Leto, Dave Bautista, Sylvia Hoeks, Mackenzie Davis, Barkhad Abdi, Lennie James, Edward James Olmos, David Dastmalchian, Hiam Abbass, Tómas Lemarquis, Wood Harris, Elarica Gallacher, Vilma Szécsi, Mark Arnold, Loren Peta.
“They all think it’s about more detail. But that’s not how memory works. We recall with our feelings. Anything real should be a mess”
We now find ourselves in an age where the filmmaking craft is so preoccupied with making money that it hinders the art form itself and saturates the market with crowd-pleasing dross. The rise of the superhero blockbuster has played a huge part in this and, as result, the creative and artistic nature of Blade Runner 2049 has become a casualty. Like Ridley Scott’s film before it, it has proven to be a box-office failure and despite the desire to provide sequels, the masses simply weren’t interested in this one. But 2017 took the sequel to a whole new level. They weren’t just money-spinning exercises but revisits to much loved cult classics that were intent on exploring their characters in a whole new depth: 20 years after the drug-addled exploits of Trainspotting, Danny Boyle brought a satisfying maturity to T2 while, 25 years later, David Lynch revisited the quaint logging town of Twin Peaks with The Return – a deeply surreal 18 episodes that has reinvented the way that television can be viewed. Going even further back than that, Denis Villenueve revisits Blade Runner after a 35 year hiatus and relieves my nervous disposition with the impressive completion of a 2017 hat-trick. Continue reading →