Archive for the Fantasy Category

A Town Called Panic * * * * 1/2

Posted in Adventure, Animation, Comedy, Family, Fantasy, Foreign Language with tags on February 1, 2012 by Mark Walker

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Directors: Stephane Aubier, Vincent Patar.
Screenplay: Stephane Aubier, Vincent Patar.
Voices: Stephane Aubier, Bruce Ellison, Benoit Poelvoorde, Jeanne Balibar.

Stop-motion animation still has a place in film today despite the computer generated brilliance of Pixar and Dreamwork etc. “Wallace and Gromit” are still a success and with the arrival of this inventive adventure, it shows that there’s still some mileage left in the old stop-motion style yet.

Papier mache toys Cowboy and Indian’s plan to surprise Horse with a homemade birthday gift backfires when they accidently destroy his house. No sooner have they built a new home only for it to be stolen from beneath their noses by a stealthy and cunning assailant. Strange adventures ensue as the trio travel to the centre of the earth, trek across frozen tundra and discover a parrallel underwater universe where dishonest subaquatic creatures live.

As long as there’s still imagination and creativity in the world, there will still be works of art produced regardless of being at a disadvantage. This little animation is proof that millions of money isn’t necessary to produce something that works. Stop-motion animation is probably the most difficult and painstaking of techniques, making you wonder why they even bother in the first place. Fortunately they do bother and we are treated to this fantastic little gem. It’s basic in it’s setup and characters, with second rate little toys brought to life, injected with hilarity, detail and crammed full of creativity and imagination that it’s hard to resist. An absolutely wonderful little treat and very unlike most animation today. Yes, “Wallace and Gromit” are famous stop-motion characters but they are still miles from this surreal Belgian adventure from Stephane Aubier and Vincent Patar.

It’s a pure joy that will shamefully be overlooked by many and deserves a wider audience for it’s originality alone. Added to which, it unashamedly boasts…”shown in glorious 2D.” Superb!

Mark Walker

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A Midsummer Night’s Dream * * *

Posted in Comedy, Fantasy, Romance with tags on January 29, 2012 by Mark Walker

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Director: Michael Hoffman.
Screenplay: Michael Hoffman.
Starring: Kevin Kline, Michelle Pfeiffer, Calista Flockhart, Stanley Tucci, Rupert Everett, Christian Bale, Dominic West, Anna Friel, David Strathairn, Sophie Marceau, Roger Rees, Bill Irwin, Bernard Hill, John Sessions, Sam Rockwell.

As a rule, I dont like to watch any William Shakespeare adaptations until I have read the play first. Having just finished reading this classic comedy/love story, I was eager to see it on screen like I am of any of the screen adaptations of his wonderful works. This however, isn’t as good as the great master deserves.

While preparing for the wedding of Duke Theseus (David Strathairn) to Hippolyta (Sophie Marceau) a group of actors including Bottom the Weaver (Kevin Kline) rehearse an amature play for the forthcoming betrothal while forbidden lovers Hermia (Anna Friel) and Lysander (Dominic West) run away together, pursued by Demetrius (Christian Bale) and Helena (Calista Flockhart). Meanwhile, in another part of the forest, Faerie King Oberon (Rupert Everett) wants to get at his wife Queen Titania (Michelle Pfeiffer). He dispatches malicious ‘sprite’ Puck (Stanley Tucci) on a mission to humiliate his Queen. En route Puck can’t resist messing with the mortals lost in the woods also, ensuring all sorts of confusion.

Director Michael Hoffman’s take transports us from ancient Greece to late-19th-century Italy (complete with newly invented bicycles) and I have to say, it works. The sets and costumes are absolutely stunning, drawing you into the magical and mystical land of the faeries. He addresses it with the same playful tone that Kenneth Branagh captured for his adaptation of “Much Ado About Nothing” and also like that, uses the same mix of both American and British actors who are perfectly suited to their roles. It’s a lush and extravagant production, infused with Shakespeare’s humour but something doesn’t quite click. The mock Pyramus play at end is way overlong and almost grinds the film to halt. The only positive is that this is when the underused Sam Rockwell gets a chance to contribute something, but by then it’s too little too late. As David Strathairn’s ‘Theseus’ says around this time “No epilogue I pray you…” if only he’d said this 15 mins earlier, we could have had a satisfying ending.

It’s classic Shakespeare that, shockingly, hasn’t had a decent adaptation yet. This is the best so far, but for fans of the great playwrite only.
It captures the look but doesn’t quite capture the heart.

Mark Walker

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9 * * * * 1/2

Posted in Adventure, Animation, Fantasy, Science Fiction with tags on January 29, 2012 by Mark Walker

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Director: Shane Acker.
Screenplay: Pamela Pettler.
Voices: Elijah Wood, Christopher Plummer, Martin Landau, John C. Reilly, Jennifer Connelly, Crispin Glover.

These days kids are spoiled with an endless supply of high quality animated films. As a nipper I was content with an episode of “Thundercats” but the beauty of modern film animation is that some are aimed at adults also. This happens to be one that falls into that category.

In a post-apocalyptic future, sackcloth doll numbered “9” (Elijah Wood) wakes up to find that human beings have been eradicated from existence. As he explores the desolate land, he finds a small society of his handrafted kind struggling for survival against terrifying machines. Self-proclaimed leader “1” (Christopher Plummer) keeps his troops in hiding, but when “2” (Martin Landau) is abducted, “9” convinces them that they must attack to survive. Along the way they discover evidence from their deceased creator that they personally hold the last of what’s left of the human soul and preserving themselves is to preserve humanity.

This animated feature has had it’s fair share of criticism but at a running time of 1hour 19mins it’s hardly a massive commitment. In fact, I found it to be quite a pleasure. Where the criticism has been directed is in the story. Too shallow for adults and too dark for kids apparently. Granted, the old tried and tested post-apocalyptic earth, where silly humans have gone and eradicated themselves again, is nothing new and a bit tired, but this is just a vehicle for director Shane Acker’s imaginative little creations to come to life. And come to life they do. The animation is absolutely striking and each little hand crafted ‘stitchpunk’ is given individuality with painstaking attention. The emotional depth and expression of such similiar designed little characters is stunning. I found them very appealing indeed, and a pure joy to watch them on their adventure. This originally began as an 11minute short film (also called “9”) that director Shane Acker won an Academy Award for in 2005. This Oscar success obviously drew the attention of producers Timur Bekmambetov and Tim Burton who have indulged Acker’s vision with money, allowing him to elaborate on his story, and thankfully for us they did. This is animation at it’s finest and on a par with the best that Pixar have produced.

I’m very surprised at the criticism this little gem has come in for as this is a deep, beautifully realised science fiction yarn and a post-apocalyptic world that I hope to visit again soon. A pure visually arresting delight.

Mark Walker

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The Secret Of Kells * * * 1/2

Posted in Animation, Family, Fantasy with tags on January 28, 2012 by Mark Walker

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Directors: Tomm Moore, Nora Twomey.
Screenplay: Fabrice Ziolkowski.
Voices: Evan McGuire, Brendan Gleeson, Mick Lally, Christen Mooney.

Hand painted artwork is such a treat these days, considering most animation is computer generated and the hand crafted imagery in this one is some of the finest you’re likely to see.

It tells the story of Brendan, a young lad living in a monestry in Ireland, and his interest in the arrival of Brother Aidan, who is writing an almost magical looking manuscript. However, the Brother can’t finish his writings until he can get more bramble berries, to use for ink, that can only be found in the dangerous forest beyond the Abbey walls. Brendan takes it upon himself to venture out and retrieve the berries and becomes embroiled in a whole new world of possibilities.

I had high expectations for this film but it didn’t capture my imagination as much as I thought it would, although the animation is second to none and absolutely gorgeous in it’s hand painted intricate beauty. It truly is captivating.
The illustrations of the real “Book of Kells” are captured and brought to life in their complexity with this film. The traditional Christian iconography with swirling motifs and animals and mythical beasts, together with Celtic knotwork and interlacing patterns are as close a representation of the book as your likely to get. Despite the visual feast, however, there is something missing. The dialogue is stilted and it doesn’t engage you the way it should. I found myself drifting throughout it, when really I should have been glued to the screen with the marvellous Christian and Pagan symbolism.

If they had put as much effort into a flowing narrative as they did with the animation this would have been a masterpiece. Unfortunately, it’s not. But it’s a damn good looking attempt at one.

Mark Walker

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City Of Ember (x)

Posted in Adventure, Family, Fantasy with tags on January 28, 2012 by Mark Walker

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Director: Gil Kenan.
Screenplay: Caroline Thompson.
Starring: Saoirse Ronin, Harry Treadaway, Toby Jones, Martin Landau, Marianne Jean-Baptiste, Mary Kay Place, Mackenzie Crook, Tim Robbins, Bill Murray.

Is it really possible that a kids adventure film can be dull and uneventful? Well… “City of Ember” is proof that, yes, it can be.

Based on the novel by Jeanne Duprau, it tells the story of Lina (Ronan) and Doon (Treadaway) who live in an underground city named ‘Ember’. It is lit only by electric lamps, whose inhabitants have no light sources. The darkness beyond their city hold unknown things and possible salvation, so they decide to find a way out, as ‘Ember’ is falling to pieces and what little power supply they have left, is running out.

There is next to nothing to recommend here, with the one exception being a nice and almost unrecognisable appearance from Martin Landau. What the hell Tim Robbins and Bill Murray where thinking of by getting involved in this stinker, I’ll never know. They are way above this tedious nonsense.

One for definite avoidance unless your suffering a bout of insomnia.

Mark Walker

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Mr. Nobody * * * *

Posted in Drama, Fantasy, Science Fiction with tags on January 28, 2012 by Mark Walker

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Director: Jaco Van Dormael.
Screenplay: Jaco Van Dormael.
Starring: Jared Leto, Sarah Polley, Diane Kruger, Rhys Ifans, Linh-Dan Pham, Natasha Little, Toby Regbo, Juno Temple, Daniel Mays.

Little known Belgian director Jaco Van Dormael – in only his third film in almost 20years – tackles the bigger conundrums of life, in the nature of existence, love and the life force surrounding us all.

It tells the story of ‘Nemo’ (Jared Leto) the only human being left on the planet, that will die naturally, in the year 2092. Now 118years old, he is on his deathbed and relaying his life story to a young journalist. He goes back to when he was a young boy and forced to choose between his parents when they got divorced. Not happy with being put in that position, he chose both. This resulted in opening up alternate realities and infinite possibilities as we follow Nemo through the numerous choices he made (and didn’t make) throughout his life.

Parts of the constantly changing realities are told from a childs eyes like Van Dormael’s superb debut “Toto the Hero” and full of visual flair and wonder. This is a highly creative European director making his craft more accessible to a wider audience. I just hope that a wider audience pays attention. The film is rich in it’s vibrancy and imagination and you dont get much more ambitious than tackling Chaos Theory, String Theory and the Butterfly Effect. Analysing the choices one makes in life and the eternal rippling effect it has; creating alternate realities and what could have beens; entropy and the randomness of our existence. Posing the question as to whether it matters in what we choose in life, as the other possibilities are just as valid and important.

I could quite easily give this five stars for it’s sheer beauty and ambition but as I drifted a little throughout, due to it being slightly overlong, I’ve decided on my current rating. That is, until such times as I see it again. Then again, maybe I’ve seen enough to formulate my opinion but only time will tell, and time after all, is relative.

If invested in, its very rewarding.

Mark Walker

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Legend Of The Guardians: The Owls of Ga’hoole * 1/2

Posted in Adventure, Animation, Family, Fantasy with tags on January 28, 2012 by Mark Walker

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Director: Zack Snyder.
Screenplay: John Orloff, Emil Stern.
Voices: Jim Sturgess, Geoffrey Rush, Helen Mirren, Sam Neill, Hugo Weaving, Ryan Kwanten, Joel Edgerton, David Wenham, Anthony LaPaglia, Richard Roxburgh, Abbie Cornish, Miriam Margoyles, Angus Sampson.

After a great directorial debut with the zombie flick “Dawn of the Dead” and two back to back successful comic adaptations in “300” and “Watchmen”, you’d think that Zack Snyder would be a fine choice to adapt this children’s fantasy book by Kathryn Lansky. However, that’s not the case with this one.

Young Soren and Kludd are two owl brothers, fascinated with the history and legend of the ‘Guardians’ (an herioc owl clan that defeated the powers of evil in the past). When playing one day, the two brothers are abducted and taken to the sinister fortress of St Aegolius, where supposedly long-since defeated evil owl overlord Metalbeak is secretly raising an army. Soren takes it upon himself to escape and seek out legendary owl-paladins “the Guardians Of Ga’Hoole”, and save all owlkind.

This has some great animation and 3D effects but ultimately the story is uninteresting and frankly, very dull. After a weak beginning I was certain the film would kick up a gear, considering it had Snyder involved, but it never did. It remained flat, tedious and despite it being a fantasy, it still didn’t suspend disbelief. I often found myself wondering how the Owls made their armour, let alone wear it. Now that’s a bad sign. It’s also bad that your one of only three people in the cinema watching it and another being your four year old, who is crying to leave halfway through when the popcorn has ran out. It suffers with Owls being the main characters for a start. I mean, how many times can you make an owl look different from each other, so the audience don’t get mixed up with them and how many expressions can you force out of them. Attention to detail in the owls is undeniably impressive but I don’t fancy watching 90mins identifying every single feather or reflection of light in their eyes. Yes, it’s nice to look at but more attention should have been paid to the script and less on the fluff. Most of the effort seemingly went into the long and drawn out title of the film, which in terms of consistency, it at least shares the same stupidity as the film itself. There is one scene worthy of attention, with Soren in slow motion flight played out with the haunting vocals of “Dead Can Dance” singer Lisa Gerrard, but apart from that and the impressive visuals it’s a real let down from Snyder and a film that has being seriously overhyped.

A more suitable title would have been “The Bowels of Ga’Hoole” – it’s a real stinker.

Mark Walker

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Scott Pilgrim vs. The World * * * 1/2

Posted in Action, Comedy, Fantasy, Romance with tags on January 28, 2012 by Mark Walker

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Director: Edgar Wright.
Screenplay: Edgar Wright, Michael Bacall.
Starring: Michael Cena, Mary Elizabeth Winstead, Kieran Culkin, Anna Kendrick, Ellen Wong, Mark Webber, Don McKellar, Abigail Chu, Clifton Collins, Jr, Bill Hader, Thomas Jane, Brandon Routh, Chris Evans, Jason Schwartzman.

Following the success of “Shaun of the Dead” and “Hot Fuzz”, director Edgar Wright ventures into the American market with a lot more zero’s added to his budget. I’m an admirer of his style, despite his previous outings lacking a little something.

Scott Pilgrim (Michael Cera) is a jobless, aimless 22 year-old who plays in a garage band, shares a rent free flat with his gay friend Wallace (Kieran Culkin) and is dating a 17year old high-schooler (Ellen Wong). His life doesn’t have much focus, until he meets Ramona Flowers (Mary Elizabeth Winstead) and falls head over heels in love with her. In order to continue dating her though, he’ll have to fight her seven Evil Ex-boyfriends in hand-to-hand combat.

Wright’s venture to Hollywood, unfortunately hasn’t ironed out his weakness. That, being the script. While watching with my partner (who wasn’t impressed) she astutely and bluntly observed, that the film is essentially about a “pubescent young boy looking for his hole”. Otherwise, Wright’s visual flair is there in abundance. A highly stylish film but unfortunately, it still has the feel of just another Michael Cera flick, of which, I am not a fan. In fairness to Cera though, he does manage to shake off some his goofiness this time around and his action moves are convincing. What isn’t convincing is the attraction he would have to the ladies, unless as suggested, the whole film takes place in his head and is in fact, a boys own fantasy. The fight fests and showdowns are visually stunning and the brief appearances from Chris Evans, Brandon Routh and Jason Schwartzmann as three unsavoury exes are excellent but it’s a film directed at a particular gender and particular generation. Wright expertly captures the feel for the comic and video game generation though, channeling Japanese Anime with “Street Fighter” and “Tekken” and again shows what a quality director he is. If the names of these video games mean nothing to you, then its likely that’ll be the effect the film will have on you also. It probably won’t appeal.

The gaming generation will rejoice in it’s fresh, creative approach to film, while others will find it more style over substance. Either way there’s still an abundance of fun to be had.

Mark Walker

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The Incredibles * * * *

Posted in Action, Animation, Family, Fantasy with tags on January 27, 2012 by Mark Walker

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Director: Brad Bird.
Screenplay: Brad Bird.
Voices: Craig T. Nelson, Holly Hunter, Samuel L. Jackson, Jason Lee, Wallace Shawn, Lou Romano, Elizabeth Pena, John Ratzenberger, Brad Bird.

Pixar have had numerous heroic characters throughout their animations but here, director Brad Bird introduces us to a full-blown superhero story.

When Mr. Incredible (Craig T. Nelson), catches a jumper who doesn’t want to be saved, he opens the door to a wave of legal compensations that puts all superheroes out of business and into a relocation programme. Years later, Mr. Incredible, real name Bob Parr and wife Helen (Holly Hunter) – formerly Elastigirl – are trying to raise a ‘normal’ family when they receive a mysterious call for help, bringing them back into their crime fighting ways to save the world.

An interesting take on a similiar story covered by “Watchmen”, whereby superhero’s are resigned to living a normal life and attempting to fit into society, despite the superhuman powers they possess. The animation is second to none in the Pixar catalogue and it’s refreshing to have a cartoon with human characters as the main focus. There’s no cuddly sidekicks or talking animals, it’s all from the (human) heart this time, which is quite a brave change of direction for a Disney film. Thankfully for us though, it’s a winner and ranks as one the best that Pixar have produced. Great voice cast also, Nelson and Hunter are perfectly suited to their characters, as is Samuel L. Jackson as their sidekick ‘Frozone’ and Jason Lee as the evil nemesis ‘Syndrome’. They are all warm, humourous and believably written.

A bit overlong for younger viewers but bags of fun, once again, from the Pixar team. A real treat.

Mark Walker

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Alice In Wonderland * * * *

Posted in Adventure, Family, Fantasy with tags on January 27, 2012 by Mark Walker

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Director: Tim Burton.
Screenplay: Linda Woolverton.
Starring: Johnny Depp, Mia Wasikowska, Helena Bonham Carter, Crispin Glover, Anne Hathaway, Matt Lucas, Tim Piggot-Smith, Frances de la Tour, Geraldine James.
Voices: Michael Sheen, Stephen Fry, Alan Rickman, Barbara Windsor, Paul Whitehouse, Timothy Spall, Christopher Lee, Imelda Staunton, Michael Gough, Frank Welker.

Lewis Carroll’s classic tale “Alice in Wonderland” has been covered time and time again throughout the years but is there anyone more suited to a version than gothic visionary director Tim Burton?

Years after her adventures in Wonderland have become a dimly remembered dream, 19-year-old Alice (Mia Wasikowska) takes a tumble into eerily familiar ‘Underland’, a realm of terror under the mad Red Queen (Helena Bonham Carter), who has usurped the White Queen (Anne Hathaway). Disappointed she’s forgotten them, the Mad Hatter (Johnny Depp) and friends insist Alice is their prophesied champion returned and that she’s back to end the Red Queen’s reign of terror.

Followers and avid fans of Lewis Carroll may not be happy with Tim Burton’s adjustment to the story. He has tweaked a few things, mainly changing Wonderland to Underland and making Alice older. They may seem like unnecessary changes but it’s allowed in adaptations and that’s exactly what this is, an adaptation. Not a complete transfer from page to screen. That being said, I still loved it. Burton can be a bit hit and miss of late but there’s no denying the splendid vision and imagination he has brought to this classic children’s adventure tale. Yes, it’s laden with CGI but it looks absolutely wonderful and everyone in it is perfectly cast. I normally can’t stand Bonham Carter but she is excellent as the tyrannical Red Queen with her shrunken body and bulbous head and Depp makes a very fine flame-haired, schizophrenic Hatter with convincing Scottish brogue, as well as a fine voice cast and a more than competent Wasikowska as the older Alice. To upset fans further though, Lewis Carroll’s word play, language and riddles are omitted but if you accept it as Burton’s variation then there is lots to be enjoyed.

An exciting, visually splendid undertaking from the (7th) Burton/Depp partnership. Pure fantastical escapism.

Mark Walker

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The Hole * * *

Posted in Adventure, Family, Fantasy with tags on January 26, 2012 by Mark Walker

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Director: Joe Dante.
Screenplay: Mark L. Smith.
Starring: Chris Massoglia, Haley Bennett, Nathan Gamble, Teri Polo, Bruce Dern, Quinn Lord, John DeSantis, Douglas Chapman, Mark Pawson, Dick Miller.

Is there any other director that can capture the adventurous imagination (Spielberg being a notable exception) like director Joe Dante? Done with the same awe and lighthearted feel that he brought with “InnerSpace”, “Explorers” & “Gremlins” and there’s even a shade of “The ‘Burbs” thrown in.

Doctor Susan (Teri Polo) uproots her two children, teen Dane (Chris Massoglia) and younger brother Lucas (Nathan Gamble), to that old cinematic staple, the small American town. Soon the kids, joined by literal gal-next-door Julie (Hayley Bennett), discover a bolted-up trapdoor in the basement, exposing a hole that’s seemingly endless and taps into each persons personal fears.

The master of the modern B-movie returns after a long hiatus and he hasn’t lost his touch, showing the same enthusiasm and tension we are used to from him. Much of the film is based on the relationships of the three young characters, rather than taking the most obvious root of diving straight into the action. When the action does happen, it’s impressively done, but unfortunately you can tell that it was intended to be viewed in 3D. On 2D it doesn’t have the same impact and this will probably be a common problem with films that rely heavily on that format. Nonetheless, it’s a well handled light horror that will appeal to all the family.

If your a fan of Dante’s earlier B-movie suburban adventure yarns, then you’ll find loads to enjoy with this recent addition.

Mark Walker

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How To Train Your Dragon * * * *

Posted in Action, Adventure, Animation, Family, Fantasy with tags on January 24, 2012 by Mark Walker

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Directors: Dean DeBlois, Chris Sanders.
Screenplay: Dean DeBlois, William Davies.
Voices: Jay Baruchel, Gerard Butler, Craig Ferguson, Jonah Hill, Christopher Mintz-Plasse, America Ferrera, Kristen Wiig, T.J. Miller, Ashley Jensen, David Tennant.

If your a fan of “Shrek” then this recent Dreamworks animation should be right up your street. It’s yet another cartoon that will appeal to both children and adults.

Hiccup (Jay Baruchel) is a young Viking, who’s father Stoick (Gerard Butler) is the Chief of the dragon slayers in their village. Stoick has the same expectations of his young son and longs for the day when he will become a man and take his place in the clan. Unfortunately Hiccup doesn’t seem to have it in him. That is… until he tries to prove his people wrong and make his father proud of him, by venturing out to slay a dragon of his own. He wounds a dragon in flight and when he finds it, he can’t bring himself to kill it. Instead he nurses it back to health and in the process, creates a strong bond with it. The relationship between them brings a new outlook to Hiccup who now believes the way to protect his village and people is by befriending the dragons, not by slaying them, much to the chagrin of his father.

A brilliant little film with good humour, excellent animation and a surprising emotional core throughout, that’s normally not dealt with in animated films. The relationship between Hiccup and his father is delicate and the bonding between Hiccup and “Toothless” the dragon is very well structured and engaging which adds to the exciting, edge of your seat adventure they take you on.

Mark Walker

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Kick Ass * * *

Posted in Action, Comedy, Fantasy with tags on January 24, 2012 by Mark Walker

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Director: Matthew Vaughn.
Screenplay: Jane Goldman, Matthew Vaughn.
Starring: Aaron Johnson, Christopher Mintz-Plasse, Chloe Moretz, Nicolas Cage, Mark Strong, Elizabeth McGovern, Clark Duke, Evan Peters, Michael Rispoli, Dexter Fletcher, Jason Flemyng, Tamer Hassan, Xander Berkeley, Craig Ferguson.

Director Matthew Vaughn had mixed results when he adapted Neil Gaiman’s “Stardust” in 2007 and I found his results were mixed again with this adaptation of Mark Millar’s comic.

Dave Lizewski (Aaron Johnson) is your average high school geek who reads too many comics and since nobody has ever tried it, takes it upon himself to fight crime and be the local superhero. He dons a spandex suit and mask to become his alter-ego “Kick Ass”. This leads to some hilarious results as he soon realises why nobody has done it before… because it’s dangerous. However, the trend catches on and more spandex hero’s hit the streets.

What then ensues is a pastiche of superhero films, managing effortlessly to blend graphic violence with some hilarious dialogue and characters, namely Nicolas Cage’s “Big Daddy” and young Chloe Moretz as his 11-year-old assassin daughter “Hit Girl”, who after dispatching of a room full of villians says things like…”Okay, you Cunts! Let’s see what you can do now”. It’s darkly humerous and it’s moments like these that make this film enjoyable and there are several of them.

But although this is a spoof of superhero films it ultimately becomes the very thing it’s sending up and I’m not the biggest fan of the genre.

Mark Walker

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The Imaginarium of Doctor Parnassus * * * 1/2

Posted in Adventure, Fantasy, Mystery with tags on January 24, 2012 by Mark Walker

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Director: Terry Gilliam.
Screenplay: Terry Gilliam, Charles McKeown.
Starring: Christopher Plummer, Heath Ledger, Tom Waits, Johnny Depp, Colin Farrell, Jude Law, Andrew Garfield, Verne Troyer, Lily Cole, Johnny Harris, Poloma Faith, Peter Stormare.

Should really be called “The Imaginarium of Terry Gilliam”. The director once again takes us on a weird and wonderful journey. His films are always fantastical and this is no exception. Although, you really have to be a Gilliam fan to take the most from it.

A modern day traveling circus act, run by Dr. Parnassus (Christopher Plummer) offers people the chance to see into their own psyche by entering through a magical mirror and what they get from it is entirely who they are themselves. On passing from city to city, Parnassus and his crew of entertainers happen upon a mysterious young man (Heath Ledger) who claims he doesn’t know who he is and joins their crew. It turns out he is harbouring a secret but Parnassus has secrets of his own – he has made a deal with the devil (Tom Waits) and the time is looming to pay that debt.

Like all Terry Gilliam films, it has to be seen to be understood and even then, it’s a bit of a brain teaser. Rest assured though, this is an absolute visual treat with some fine performances. Most notably from Plummer as the now downtrodden Doctor, regretting his colourful past and Tom Waits as Mr. Nick, the toothbrush mustachioed Devil, appearing throughout, when least expected to propose further wagers. This was Heath Ledger’s last film as he died during the making of it. Enforced changes to the script were then required to finish filming. Johnny Depp, Jude Law and Colin Farrell were brought in to play different aspects to Ledger’s character and although enforced, the scenes with these three actors are actually the most inventive and strongest parts of the film.

Classic Gilliam and his fans will certainly enjoy this, but it’s not his finest moment.

Mark Walker

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Where The Wild Things Are * *

Posted in Adventure, Family, Fantasy with tags on January 24, 2012 by Mark Walker

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Director: Spike Jonze.
Screenplay: Spike Jonze, Dave Eggers.
Starring: Max Records, Cathrine Keener, Mark Ruffalo.
Voices: James Gandolfini, Forest Whitaker, Paul Dano, Catherine O’Hara, Chris Cooper, Lauren Ambrose, Spike Jonze.

Spike Jonze is a very imaginative director and I enjoyed his previous films (“Being John Malkovich” & “Adaptation”) but he has bitten off more than he can chew with this one. “Where the Wild things are” is based on the childrens story by Maurice Sendak. I admittedly haven’t read it but apparently it’s very short and only several pages long. If this is true then it shows in the translation to film.

Max (Max Records) a young boy who is having problems at home and to escape these problems, he allows his imagination to run wild. He arrives upon a land that strange creatures inhabit. They are looking for guidance and young Max is only too happy to be their leader in his fantasy world, but soon realises that these creatures have the same problems and emotions as people in the real world.

Despite director Spike Jonze being very creative in his earlier films, he has absolutely nothing to hold your interest here. The fact that the childrens book was brief doesn’t help the flow of this, as the film really drags and shows that there wasn’t enough material to adapt in the first place. It’s too childish for adults and too frightening (at parts) for children. In the end, the film can’t really identify with an age group and just meanders.

It felt like telling a toddler – lagging behind – to hurry up. Really it should be re-titled “Where’s the script writers at?”

Mark Walker

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Avatar * * * *

Posted in Action, Adventure, Fantasy, Science Fiction with tags on January 21, 2012 by Mark Walker

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Director: James Cameron.
Screenplay: James Cameron.
Starring: Sam Worthington, Sigourney Weaver, Giovanni Ribisi, Zoe Saldana, Stephen Lang, Michelle Rodriguez, Wes Studi, CCH Pounder, Joel David Moore, Laz Alonso.

Director James Cameron and science fiction have proved a good combination in the past (“The Terminator”, “Aliens”, “The Abyss”, Terminator 2″) and this is a fine addition to his earlier films.

Jake Sully (Sam Worthington) is a paraplegic marine, who finds a new lease of life and mobility while researching the planet of Pandora and the “Na’vi”, the indigenous tribe living there. Humans being the greedy and power hungry virus that we are, intend on destroying the Na’vi and exploiting their land. Jake meanwhile, has become accustomed to the Na’vi ways and must choose which side he is on pending a full blown attack on the planet.

Cameron has shot this film with specially designed 3-D cameras and took the first step in changing the way we will be viewing films from now on in. Directors such as Spielberg and Scorsese have now used the technique, and for that, Cameron has to be applauded.
The plot, however, isn’t the strongest thing about the film and quite frankly without the special effects and wonderful visuals, it would have had nothing going for it. Thankfully though, the special effects are something to behold and Cameron has created a stunningly visual treat. It is almost like watching animation or a beautiful canvas and for a change, it’s forgivable that the story becomes secondary in a film. I never seen this in 3-D as it was intended to be viewed but I wish I had. Oscar winner for Cinematography (Mauro Fiore), Art Direction, and Visual Effects.

This is an innovative piece of work and Cameron can now hold his head up again, after the disastrous “Titanic”.

Mark Walker

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The Curious Case Of Benjamin Button * * 1/2

Posted in Drama, Fantasy, Romance with tags on January 19, 2012 by Mark Walker

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Director: David Fincher.
Screenplay: Eric Roth.
Starring: Brad Pitt, Cate Blanchett, Tilda Swinton, Taraji P. Henson, Elias Koteas, Julia Ormond, Jason Flemyng, Jared Harris, Elle Fanning.

This film recieved enormous praise and awards recognition when released but personally I don’t really see what all the fuss is about. David Fincher is one of my favourite directors and his previous collaborations with Brad Pitt (“Se7en” & “Fight Club”) were superb but there is definitely something missing from this one.

Benjamin Button (Brad Pitt) is a person who, when born, has the physicality of an old man and as time goes on, he ages backwards. This causes him to be something of an outcast and he can never really connect with his peers. He does, however, lead a long and fulfilling life but at the expense of watching his loved ones grow old as he grows younger.

Based on a short story by F. Scott Fitzgerald, the screenplay was written by Eric Roth who also wrote “Forrest Gump” and on slightly closer inspection, you can see that it’s practically the same film. Gump was an outcast, so is Button; Gump worked on a fishing boat, so does Button; Gump was in love with a childhood friend, so is Button; Gump went off to fight in a war, so does Button, etc, etc. The list is endless and very tedious watching the same story over again, especially when it is done no better. The special effects with the ageing process are undeniably very impressive but effects alone do not a good film make. The story also seems to go on forever and I could empathise with a certain ageing process while watching it. Unlike Button though, my ageing process was not going in reverse. The performances, the direction and the look can’t be faulted but really the whole affair is rather dull.

Not a bad film, it’s just not a very good one either. A bit of a dissapointment really.

Mark Walker

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Ponyo * * * 1/2

Posted in Animation, Family, Fantasy with tags on January 19, 2012 by Mark Walker

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Director: Hayao Mayazaki.
Screenplay: Hayao Mayazaki.
Voices: Tina Fey, Noah Cyrus, Frankie Jonas, Matt Damon, Liam Neeson, Cate Blanchett, Lily Tomlin, Betty White, Cloris Leachman, Laraine Newman.

In a world of CGI animation it’s refreshing to know that Hayao Mayazaki (“Spirited Away”, “Howls Moving Castle”) will take us back to basics with his hand drawn art work, every so often.

This tells the story of Sosuke, a young boy who finds a little goldfish on the seashore one day. Sosuke and the goldfish become very attached and he decides to call her “Ponyo”. Ponyo has human features being the child of a magician and a sea godess and she longs to be fully human one day but her being out of the ocean causes an imbalance in nature and the balance can only be restored if she can be truly loved by Sosuke.

“Ponyo” is a treat for all ages and once again Mayazaki achieves in creating the look and feel of otherworldly places with his basic yet very effective art work. His characters are always endearing and well thought out but the only problem with “Ponyo” is that it lacks the darker side that “Spirited Away” benefited from. This leaves it a little whimsical and straying more to the childish side of animation.

However, this is a small criticism and it’s still difficult not to get swept away by the whole delightful adventure.

Mark Walker

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Constantine * * * 1/2

Posted in Action, Fantasy, Horror with tags on January 13, 2012 by Mark Walker

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Director: Francis Lawrence.
Screenplay: Kevin Brodbin, Frank Cappello.
Starring: Keanu Reeves, Rachel Weisz, Shia LaBeouf, Djimon Hounsou, Tilda Swinton, Peter Stormare, Pruitt Taylor Vince, Gavin Rossdale, Michelle Monaghan, Domino Harvey.

DC Comics’ “Hellblazer” gets the big screen treatment with the chain-smoking, existentialist detective John Constantine and although it may not appeal to some fans, there’s no denying it has style.

Keanu Reeves plays the paranormal man in question, who after having visions of entities all his life, attempts suicide. Having been revived from his unsuccessful attempts, John Constantine is then doomed to an eternal waking life of demonic confrontations. This being the case, he attempts to make a deal with God, (in the knowledge that he has lung cancer) that if he can help in the eradication of demons from Earth, he may get a reprieve and be able to enter Heaven when he dies.

“Constantine” has a very imaginative and stylish look to it, mainly down to music video director Francis Lawrence. He uses several unusual camera angles and great use of atmosphere, showing exactly where he learned his craft. However, some inexperience is visible, the tell-tale signs being style over substance. It just so happens though, that the style is magnificent and has some similarities with the low budget Christopher Walken gothic/horror flick “The Prophecy”. Lawrence’s take on the biblical characters are very creative, from Tilda Swinton’s androgenous “Angel Gabriel” to Djimon Hounsou’s “Midnite” a guardian between Heaven & Hell and Peter Stormare’s looming, well-dressed “Lucifer”. Mixed up in all of this is a very mixed bag in Reeves as “Constantine”. He’s strangely brooding and appealing, yet also woefully bad in his selfconscious overacting. It’s a very frustrating performance and a constant reminder that your watching a film, which ultimately isn’t a good thing. The inclusion of Shia LeBeouf’s comic sidekick “Chas” isn’t a good thing either and seriously jars with the tone of the film. Really, we should be able to immersive ourselves in Lawrence’s wonderfully atmospheric (under)world but get held back from full immersion to these visual treats by a lead performance that’s not much better than Schwarzenegger would have delivered and a new director that is still finding his feet.

Comic fans may not be happy, but it’s still very hard to resist it’s visual splendor.

Mark Walker

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