Archive for 2012

The Angels’ Share * * * *

Posted in Comedy, Crime, Drama with tags on October 27, 2012 by Mark Walker

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Director: Ken Loach.
Screenplay: Paul Laverty.
Starring: Paul Brannigan, John Henshaw, William Ruane, Gary Maitland, Jasmin Riggins, Roger Allam, Siobhan Reilly, David Goodall, James Casey, Joy McAvoy.

After “One More Kiss” and “Dear Frankie“, the film that concludes my little Scottish trilogy of reviews is the 12th collaboration between director Ken Loach and writer Paul Laverty. Their previous efforts have been mostly very successful films and have largely dealt with the hardships of Scottish working class lifestyles. This is another slice of that life and yet another little treasure.

Young Glaswegian Robbie (Paul Brannigan) is sentenced to community service for repeatedly offending. He has a baby on the way and finds himself in a continual circle of violence with his girlfriend’s father but he’s desperate for a way out of his life of crime. He is taken under the wing of social worker Harry (John Henshaw) who teaches him the appreciation of fine malt Whiskies. It’s only then, Robbie discovers a distillery that’s home to a rare Scotch Whisky worth thousands of pounds and involves his friends to take some for themselves.

There is a Scots Gaelic way of referring to the alcoholic beverage Whisky and that is “Uisge Beatha“, literally translating as ‘Water of Life‘. This name, in itself, could be a perfect title for this film (and it’s themes) but Loach has gone and conjured up another one: When Whisky is matured over the years there’s some that escapes from the casket and evaporates into thin air, never to be tasted or seen again. This is referred to as “The Angels’ Share” and, on reflection, is a fitting title for the story.
Loach is one of those directors that has a perfect sense of realism. It just courses right through his films; from the storyline, through the setting to the authentic dialogue and untrained actors. This is no different and it shares a similar theme to two of his and Paul Laverty’s earlier collaborations: “My Name Is Joe” and “Sweet Sixteen“, in terms of a struggling protagonist trying to break free from his brutal environment and make a life for himself. What this has, that those two didn’t, is a sense of humour and a delicate, lightness of touch. It doesn’t get bogged down in the kitchen-sink mentality that you’d expect but breaks free from that mould to become a lighthearted caper movie. Don’t get me wrong, Loach still has the power of gritty authenticity and on a few occasions he displays that but like the beverage they are concerned about in the film, it has a nice balance; it manages to be both rough and smooth. Glasgow is depicted as a brutal environment with damaged disillusioned youths and Loach’s eye for locations and mostly untrained actors is ever present. All the performers deliver admirable and, in some cases, excellent work. A talent that Loach has shown over the years is his ability in finding these quality young actors. In a lot of ways he’s become somewhat of a pioneer for Scottish cinema – the city of Glasgow in particular. No film set in Scotland’s largest city would be complete without the humour though and in this case Loach and Laverty capture the idiom perfectly, delivering regular and balanced humour.

A slight change of pace from Ken Loach and more upbeat than fans of his will be accustomed to but he manages the understatement very well and delivers one of his most feel-good films to date.

Mark Walker

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TUESDAY’S TRIVIA TIDBITS.

Posted in Uncategorized with tags on October 23, 2012 by Mark Walker

Welcome back to Tuesday’s Trivia Tidbits. For those of you out of the loop, this is a little compilation of 10 movie related facts that I will be posting weekly and info that I always find interesting. So without further ado, this weeks are…

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1: George Clooney has done three films under the direction of the Coen brothers. They are: “O Brother, Where Art Thou?“, “Intolerable Cruelty” and “Burn After Reading“. These three films have been dubbed Clooney’s “trilogy of idiots” by the brothers.

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2: During the filming of “The Passion Of The Christ“, Jim Caviezel (Jesus) was struck by lightning while filming the sermon on the mountain scene. Extras say they saw an illumination around his whole body. Amazingly enough, he was not seriously injured.

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3: In “Terminator 2: Judgment Day“, Arnold Schwarzenegger received a salary of $15 million. The 700 words he spoke translates to $21, 429 per word. Thus “Hasta la vista, baby” cost $85, 716.

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4: In “Empire Strikes Back“, Han Solo was frozen in carbonite. This was (at least in part) due to the uncertainty of Harrison Ford returning for a third film. When the original “Star Wars” was made, Carrie Fisher and Mark Hamill were signed on for a three picture deal but Ford refused.

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5: In the 1989 Kevin Costner baseball movie “Field of Dreams“, both Ben Affleck and Matt Damon are among the thousands of extras in the Fenway Park scene. Over a decade later, when director Phil Alden Robinson worked with Affleck on the production of “The Sum of All Fears“, Affleck said, “Nice working with you again.

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6: In 1992’s “Scent of Woman“, Al Pacino repeatedly shouts “Hoo-ah.” “Hoo-ah” comes from the military acronym “HUA” which stands for “Heard, Understood, Acknowledged.”

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7: In all of Quentin Tarantino’s original screenplays, the name of a police detective named Scagnetti is referred to at least once. Most of the times the particular scene was cut out of the final versions but Tom Sizemore actually played the role of police detective Jack Scagnetti in “Natural Born Killers“.

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8: Terry Gilliam’s first choice for the lead role in “12 Monkeys” was Jeff Bridges, whom he had enjoyed working with on “The Fisher King“, but the studio wanted a bigger star, so he cast Bruce Willis. Ironically, Willis had originally auditioned for “The Fisher King“, but lost out to Bridges. When Willis got the role Gilliam gave him a list of “Willis acting clichés” not to be used during the film.

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9: Woody Harrelson was arrested in 1996 for planting 4 marijuana hemp seeds in rural Kentucky and in his defence he said he was challenging a state law that makes no distinction between marijuana and hemp, even though hemp contains little of the drug found in marijuana and can be used to make a variety of industrial products. The jury dismissed the marijuana possession charge against him.

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10: Stanley Kubrick considered both Robert DeNiro and Robin Williams for the role of Jack Torrance in “The Shining” but decided against both of them. Kubrick didn’t think DeNiro would suit the part after watching his performance in “Taxi Driver“, as he deemed De Niro not psychotic enough for the role. He didn’t think Williams would suit the part after watching his performance in “Mork & Mindy“, as he deemed him too psychotic for the role. According to Stephen King, Kubrick also briefly considered Harrison Ford.

So there you have it. 10 esoteric Tidbits to masticate on. Some you may know. Some you may not. If you have any thoughts, stick your donations in the comment box.
See you next Tuesday…

(For earlier editions of Trivia Tidbits click here.)

TUESDAY’S TRIVIA TIDBITS.

Posted in Uncategorized with tags on October 15, 2012 by Mark Walker

Welcome back to Tuesday’s Trivia Tidbits. For those of you out of the loop, this is a little compilation of 10 movie related facts that I will be posting weekly and info that I always find interesting. So without further ado, this weeks are…

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1: After Michael Madsen was found to be unavailable for the part, Daniel Day-Lewis tried to get the role of Vincent Vega in “Pulp Fiction“, one of the few times he actively pursued a part. However, by that point in the casting, Quentin Tarantino had John Travolta in mind.

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2: Mark Ruffalo claims to be the only actor to date, to play both The Hulk and Bruce Banner in the same movie. Technically, both Eric Bana and Edward Norton have done motion capture work for their respective Hulks, but Ruffalo is the first actor to perform the Hulk live on set via performance capture.

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3: When he did the Russian roulette scene in “The Deer Hunter“, Christopher Walken was remembering being sent to summer camp by his parents, which he hated. He felt betrayed, ostracized, alone – and felt the character was experiencing that at that point in the film.

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4: Originally in “Rain Man“, Dustin Hoffman was to play Charlie Babbitt (the Tom Cruise character) and Bill Murray was to play the autistic savant Raymond (eventually Hoffman’s role). When Hoffman decided to switch roles, Murray dropped out – he didn’t want to play the straight role. The film also seen director’s Martin Brest, Steven Spielberg and Sydney Pollack attached at one point.

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5:Argo” is the title of the “movie” being filmed within the movie but it originates from Greek mythology. It was the ship Jason and the Argonauts sailed in to retrieve the Golden Fleece.

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6:The Lord of the Rings” trilogy were filmed simultaneously. The back-to-back shoot lasted a record-equaling 274 days, in 16 months – exactly the same time as taken for the principal photography of “Apocalypse Now“.

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7: While filming “Awakenings” with Robin Williams and “Mad Dog and Glory” with Bill Murray, Robert DeNiro’s nose was apparently broken by both actors.

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8: Matt Damon, along with Jake Gyllenhaal, was one of the studio’s first choices for the role of Jake Sully in “Avatar“, but director James Cameron chose the (back then) more unknown Sam Worthington in the lead role instead.

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9: At one point in the movie “Ted“, Ted mentions 9/11. Mark Wahlberg and Seth MacFarlane both, apparently, narrowly missed being on the planes that hit the World Trade Center. Wahlberg was booked on American Airlines Flight 11 but decided to drive up to New York and fly to California later. McFarlane was scheduled on the same flight but arrived to gate ten minutes late and was unable to board. He was sitting in the airport when he saw that his plane had hit the North Tower of the World trade center.

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10: In an interview with Rolling Stone magazine, John Goodman stated that The Dude referring to “The Big Lebowski” as a “human paraquat” was one of the only improvised lines to make it into the final film. Virtually every other line, including every ‘man’ and ‘dude,’ was scripted – A ‘Paraquat’ is actually a herbicide. During the late 1970s, a controversial program sponsored by the US government sprayed paraquat on marijuana fields in Mexico.

So there you have it. 10 esoteric Tidbits to masticate on. Some you may know. Some you may not. If you have any thoughts, stick your donations in the comment box.
See you next Tuesday…

(For earlier editions of Trivia Tidbits click here.)

TUESDAY’S TRIVIA TIDBITS.

Posted in Uncategorized with tags on October 7, 2012 by Mark Walker

Welcome back to Tuesday’s Trivia Tidbits. For those of you out of the loop, this is a little compilation of 10 movie related facts that I will be posting weekly and info that I always find interesting. So without further ado, this weeks are…

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1: There are an elite 10 actors to have been nominated for both a Supporting and a Lead Acting Academy Award in the same year. They are: Fay Bainter, Teresa Wright, Barry Fitzgerald, Jessica Lange, Al Pacino, Sigourney Weaver, Emma Thompson, Holly Hunter, Cate Blanchett, Julianne Moore and Jamie Foxx.

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2: Robert De Niro’s thick Max Cady accent in “Cape Fear” reportedly gave Martin Scorsese the creeps, and as a joke, De Niro would call the director’s house, leaving messages as Cady.

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3: Guillermo del Toro is famous for compiling books full of notes and drawings about his ideas before turning them into films, something he regards as essential to the process. He left years worth of notes for his film “Pan’s Labyrinth” in the back of a cab, and when he discovered them missing, he thought it was the end of the project. However, the cab driver found them and, realizing their importance, tracked him down and returned them at great personal difficulty and expense. Del Toro was convinced that this was a blessing and it made him even more determined to complete the film.

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4: Tim Burton was slated to direct “The Fly” with Michael Keaton in the lead role, but he backed out and David Cronenberg took over.

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5: Bill Murray has rubbed some collaborators the wrong way because he has a tendency to re-write and improvise his way through scripts until many of his scenes barely resemble the original versions. Most collaborators ultimately find though, it’s to the improvement of the films.

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6: Michael J. Fox had always been the first choice for Marty McFly on “Back To The Future” but he was unavailable due to scheduling conflicts with his work on TV show “Family Ties“. Robert Zemeckis then cast Eric Stoltz as Marty based on his performance in “Mask“. After four weeks of filming Zemeckis felt that Stoltz wasn’t right for the part and Stoltz agreed. By this stage, Fox was allowed to leave temporarily from his TV commitments and make the film. Reshooting Stoltz’s scenes added $3 million dollars to the budget.

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7: In Paul Thomas Anderson’s “Magnolia” there is a telephone number (1877) TAME-HER shown on the “Seduce and Destroy” infomercials within the movie. The character Frank T.J. Mackay is played by Tom Cruise and when dialling this number it used to give a recording of Cruise giving the Seduce and Destroy pitch.

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8: Although he is barely interested in awards, Woody Allen is one of the Academy’s favorites – his 14 Oscar Nominations for Best Original Screenplay as of 2005 are a record for that category, and puts him ahead of Billy Wilder, who had 19 combined Oscar nominations for Writing and Directing. With 21 nominations in the combination of the top-three categories – acting, directing and writing – he holds the record there as well.

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9: Peter Jackson’s first two choices for the role of Aragorn in “The Lord Of The Rings” were Daniel Day-Lewis and Russell Crowe. Crowe was excited about the prospect of being involved with a major motion picture in New Zealand, but couldn’t commit due to scheduling conflicts in America. Stuart Townsend was originally cast as Aragorn, but was replaced by Viggo Mortensen after four days of shooting because Peter Jackson realized that an older actor was needed.

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10:Reservoir Dogs” – In Mr. White’s (Harvey Keitel) flashback, Joe (Lawrence Tierney) asks him about a girl named Alabama. This is a reference to Patricia Arquette’s character from “True Romance“. Quentin Tarantino has stated that he originally intended this character to meet up with Mr. White and to become partners in crime. When “True Romance” was released a year after this film, the ending was changed and so this backstory became inconsistent because Alabama never went on to meet up with Mr. White.

So there you have it. 10 esoteric Tidbits to masticate on. Some you may know. Some you may not. If you have any thoughts, stick your donations in the comment box.
See you next Tuesday…

(For earlier editions of Trivia Tidbits click here.)

TUESDAY’S TRIVIA TIDBITS.

Posted in Uncategorized with tags on October 1, 2012 by Mark Walker

Welcome back to Tuesday’s Trivia Tidbits. For those of you out of the loop, this is a little compilation of 10 movie related facts that I will be posting weekly and info that I always find interesting. So without further ado, this weeks are…

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1: Initially Russell Crowe turned down “L.A. Confidential” because he doubted whether he could convincingly play such a tough character. Once he was cast as Bud White he read in the book that his character was the largest cop on the police force, off-putting for him due to his medium-sized frame (just under 6 feet). To capture a “big guy” presence, Crowe lived in a tiny flat in which he could barely fit through any of the doors. This experience, he said, made him come to the set feeling like a giant.

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2: Ewan McGregor originally auditioned for the role of Mercutio in the 1996 film “Romeo + Juliet“. Harold Perrineau Jr, got the part but McGregor later got his chance to work with director Baz Luhrmann when he was cast as Christian in “Moulin Rouge“.

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3: Nicole Kidman Has appeared in “My Life” with Michael Keaton, “Batman Forever” with Val Kilmer, “The Peacemaker” with George Clooney and “The Portrait of a Lady” with Christian Bale. All four actors have played Batman in a movie.

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4: While making “The Godfather“, Paramount senior management were dissatisfied with the early rushes and considered replacing Francis Ford Coppola with Elia Kazan with the hope that Kazan would be able to work with the notoriously difficult Marlon Brando. Brando announced that he would quit the film if Coppola was fired and the studio backed down. Paramount brass apparently did not know of Brando’s dismay with Kazan over his testimony before the House Un-American Activities Committee in the 1950s – naming names of those thought to be involved in Communist activities.

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5: Meryl Streep was romantically involved for 7 years with actor John Cazale, whom she worked with in “The Deer Hunter“. He died in 1978 age 42 from bone cancer and ever since, Streep has been very reluctant to discuss the relationship with anyone.

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6: George Clooney sought the role of Jack in “Sideways“. However, the film’s director, Alexander Payne, felt that he was too big a star, and turned him down in favor of Thomas Haden Church. Clooney would later work with Payne on “The Descendants“.

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7: The characters’ names in “Inception” were not chosen by chance. They actually contribute to the story itself. DiCaprio’s character is Dom Cobb and Dom literally means ‘home’ in Polish. The root word “dom” comes from the Latin word “Domus”. Words like ‘Domesticated’ and ‘Domicile’ all share the same root and in the film he just wants to go home; Marion Cotillard’s character is called ‘Mal’, short for name ‘Malorie’, a name derived from French word ‘malheur’, meaning misfortune or unhappiness. The shorter version ‘mal’ means wrong/bad or evil (when a noun) in French, as well as some other Latin-based languages. Mal is of course, a disturbed character in the film; Ellen Page’s character is Ariadne and she makes her first appearance where she is called upon to create mazes. She is named after a character in Greek mythology who helped Theseus find his way out of the Labyrinth after killing the Minotaur. The name is also a reference to the opera “Ariadne auf Naxos“. The opera is a play within a play, just as the movie is a dream within a dream; Tom Hardy is an archtitect named Eames after Charles Eames and Ray Eames, a married couple well known in the fields of furniture design, buildings and architecture; Cillian Murphy’s character was named Robert Fischer as a tribute to champion chess player Bobby Fischer, his father’s (Pete Postlethwaite) character is named Maurice Fischer as an homage to artist M.C. Escher (full name Maurits Cornelis Escher), whose art was clearly an inspiration for many of the special effects in the film.

8: There are only six actors to receive an Academy Award nomination for Best Actor for their first screen appearance. They are: Orson Welles, Lawrence Tibbett, Alan Arkin, Paul Muni, James Dean and Montgomery Clift.

9: Martin Scorsese’s “Mean Streets” was originally titled “Season Of The Witch“. The change was inspired from a Raymond Chandler line, “Down these mean streets a man must go.” Film critic Jay Cocks suggested the change to Martin Scorsese, who thought it pretentious at first but eventually came to agree it was effective.

10: Courtney Love and Winona Ryder were both initially considered for the role of Marla Singer in “Fight Club“, but in the end, it came down to Helena Bonham Carter and Reese Witherspoon. Director David Fincher wanted Bonham-Carter, but the studio wanted a bigger name and chose to go with Witherspoon. In the end however, the decision was taken out of their hands when Witherspoon turned down the role as being “too dark”, and Bonham-Carter was cast.

So there you have it. 10 esoteric Tidbits to masticate on. Some you may know. Some you may not. If you have any thoughts, stick your donations in the comment box.
See you next Tuesday…

(For earlier editions of Trivia Tidbits click here.)

Moonrise Kingdom * * * *

Posted in Comedy, Drama with tags on September 28, 2012 by Mark Walker

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Director: Wes Anderson.
Screenplay: Wes Anderson, Roman Coppola.
Starring: Edward Norton, Bruce Willis, Bill Murray, Frances McDormand, Tilda Swinton, Harvey Keitel, Jason Schwartzman, Jared Gilman, Kara Hayward, Bob Balaban, Larry Pine, Eric Chase Anderson.

When viewing Wes Anderson’s Moonrise Kingdom, the usual adjectives spring to mind; Quirky, off-beat, idiosyncratic, original. It’s all of these things and further confirmation that this man has a unique style all his own and (thankfully for his fans) he doesn’t seem in the mood for changing that anytime soon.

In a small New England town in the 1960’s, young boy scout Sam (Jared Gilman) decides to run away with local girl Suzy (Kara Hayward). As a result, his Scout Master (Edward Norton) organises a search party and teams up with the Sheriff (Bruce Willis) and the young girls parents (Bill Murray, Frances McDormand) to track them down.

This is a very strange little film indeed and possibly one of Anderson’s strangest which is saying something. However, it’s also proof that the king of quirk hasn’t lost his touch. His pallet is once again sumptuous and his attention to detail meticulous – to say the least. The whole film is painted in vibrant pastel and autumnal colours and there’s a sharpness and texture to his images. Quite simply, the film is gorgeous to look at and special credit must go to Anderson’s regular cinematographer Robert Yeoman in his ability to capture such a magical land. Ensemble casts are also becoming a regular feature of Anderson’s works and this is no different. He’s amassed a very impressive collection of top-quality performers here and every one of them are excellent. A number of them play against type with the most memorable being a melancholic Willis and an ingenuous Norton; Murray and McDormand are no slouches either and deliver their usual reliability – as does Swinton – but the likes of Schwarztman and especially Keitel are given very little to do. Ultimately though it doesn’t really matter about the familiar faces onscreen as it the young actors that impress the most. The two young leads in Jared Gilman and Kara Hayward are superb and fine support is given by the young boy scout crowd. Much like Alan Parker’s “Bugsy Malone“, it’s entertaining to see youngsters behave with grown up mannerisms yet despite it’s nature it’s never played for laughs. Most of the actors play it straight which adds a deeper sadness to this, deceivingly, lighthearted tale. Beneath it all though, it’s essentially a right-of-passage story as it focuses on the progression from childhood to adolescence while on the periphery delivers an effective contrast in the disillusionment of adulthood. Despite it’s air of sadness though, it’s the charming innocence and wonderment that shines through. It’s yet another thoroughly enjoyable Anderson adventure but somehow it didn’t resonate as well as his previous films. Maybe I was expecting too much or maybe it will grow on me like “The Life Aquatic With Steve Zissou” did after a couple of viewings. As much as I had fun with this, I think I will have even more second time round.

As a self confessed Anderson fan, even I wasn’t fully prepared for his overstated quirkiness here but that aside, this is still an accomplished piece of work.

Mark Walker

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Red Lights * * *

Posted in Mystery, thriller with tags on September 26, 2012 by Mark Walker

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Director: Rodrigo Cortes.
Screenplay: Rodrigo Cortes.
Starring: Cillian Murphy, Robert DeNiro, Sigourney Weaver, Elizabeth Olsen, Toby Jones, Joely Richardson, Craig Roberts, Leonardo Sbaraglia, Burn Gorman, Jeany Spark, Karen David.

With his English language debut “Buried” in 2010, Spanish director Rodrigo Cortes proved that he could handle tension with limited resources. This follow up has him with a slightly bigger budget and some hefty weight behind him in the acting stakes. Again he proves more than capable in his abilities to build suspense and intrigue but fails miserably in bringing his story to a satisfactory conclusion.

Doctor’s Margaret Matheson (Sigourney Weaver) and Tom Buckley (Cillian Murphy) work in a scientific field where they investigate paranormal activities and expose the charlatans who are out to make a quick buck. So far so good, until Simon Silver (Robert DeNiro), a renowned psychic, who disappeared 30 years ago, comes out of retirement to make another public appearance. His abilities are said to be very powerful and the doctor’s decide to take him on and expose him but the last critic who tackled him, died under mysterious circumstances.

With a confident hand Cortes sets his stall up well and builds the tension slowly and assuredly. In the beginning he focuses solely on his two solid leads in Murphy and Weaver before teasingly introducing an enigmatic DeNiro as they all scramble around a script that comes off as an episode of the “The X-Files“. The trouble is, the material has about the same staying power as a 50min episode of that series and doesn’t nearly deliver as much satisfaction as the investigations of Mulder and Scully. It’s in the final third that the film starts to crack under it’s own weight and expectations and it becomes apparent that Cortes never really knew how to tie this story together in the first place. This is the most frustrating thing about this film as it certainly has a grip on you and keeps you at just the right length to maintain your interest. Realistically, it could only end two ways; either it’s a hoax or… erm… it isn’t. Once you realise this, it dawns on you that you might not be satisfied with either. But Cortes is also aware of this and as a result tries to pull the rug from under your feet. As it is, it’s one sleight-of-hand too many as he introduces a twist that goes against everything you’ve seen before. All the events are tenuously linked together in an unravelling that is, quite frankly, preposterous and fails to convince. The three leads in Murphy, Weaver and DeNiro do what they can with the material but ultimately their talents are wasted. As are the talented likes of Joely Richardson and Toby Jones in thankless roles. It’s not a complete right-off as, for the most part, the material is there and the premise very intriguing but it falls shamefully short and instead of being poor it’s, simply just frustrating.

At one point in the film, Murphy’s character says “The only way to pull a rabbit out a hat is to put it there first“. Well, the same applies to Cortes; he certainly isn’t as clever as he thinks he is and if he wants to pull off a good twist, he has to put a decent script there first.

Mark Walker

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BLOGATHON

Posted in Uncategorized with tags on September 25, 2012 by Mark Walker

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My good friend Ruth who runs the marvellous site Flixchatter has started a very interesting blogathon called “Small Roles… Big Performances” where I have been kindly asked to be involved. (As are you, dear readers). The aim is to highlight a specific performance by a lesser known actor that you feel deserves mention. To find out more about Ruth’s blogathon, or to get involved, go here.
In my contribution to this, I’ve chosen the very underrated actor Robert Carlyle and his iconic portrayal of Francis Begbie from Danny Boyle’s “Trainspotting“.

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By his own admission, Carlyle never wanted to move to L.A. and become embroiled in the glitz and glamour of Hollywood. He wanted to stay in his home town of Glasgow, Scotland and continue his work on more ‘authentic’ film’s and on his theatre company “Raindog” (named after the Tom Waits album). This type of integrity has to be admired amongst actors these days. As a result, Carlyle remains less known and under appreciated despite possessing a vast range beyond most UK actors.

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Francis Begbie is, quite simply, a highly volatile and unpredictable sociopath. In a film filled with detestable characters, Begbie is, without doubt, the film’s most terrifying and Carlyle delivers an inspired and virtuoso performance in capturing his arbitrary acts of sickening violence.

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However, despite his alpha-male status Carlyle himself believes that this was down to Begbie’s repressed homosexuality and his “fear of being outed”. As a result, Carlyle personally chose to dress in Pringle sweaters and stay-pressed trousers. It was a decision that, a surprised, Danny Boyle agreed to go with and even Irvine Welsh (the author of the novel) agreed that Begbie could be viewed in this way; Carlyle’s understanding of this volatile character seemed to be spot on.

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The skill in Carlyle’s performance though, is his ability to be malevolent yet do in it such a way, that his portrayal of this character also contains a lot of humour. All be it, in a nervous laughter kind of way. He manages that rare ability, to be both frightening and fun and he creates a genuine sense of unease and unpredictability whenever he’s onscreen.

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The entire cast of the film are on top of their game and it projected the careers of Ewan McGregor, Kelly Macdonald, Peter Mullan and to some extent Kevin McKidd, so for Carlyle to outshine them all is testament alone. He doesn’t exactly elevate this film from a poor standard (it’s already a brilliant film) but what he does do is add an extra dimension to it. He brings a volatility and sense of immediate danger that cannot be denied. He has been likened to a Scottish Joe Pesci who turns scary and violent at the slightest provocation. I couldn’t single out one particular scene with Begbie as whenever Carlyle appears onscreen, he’s outstanding in all of them.

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I’ve seen the film an abundance of times but no matter how often, I’m always gripped by the presence of Begbie and by that, I think there is no bigger compliment to an actor.

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TUESDAY’S TRIVIA TIDBITS

Posted in Uncategorized with tags on September 25, 2012 by Mark Walker

Welcome back to Tuesday’s Trivia Tidbits. For those of you out of the loop, this is a little compilation of 10 movie related facts that I will be posting weekly and info that I always find interesting. So without further ado, this weeks are…

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1: After “Once Upon a Time in America“, director Sergio Leone planned on casting Robert De Niro in a film he was working on about the siege of Leningrad in World War II, but that project never came about due to Leone’s death in 1989.

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2: Edward Norton was considered for the role of Andy Kaufman in “Man on the Moon“. Director Milos Forman could not decide between him and Jim Carrey and left the decision up to the studio. The studio decided to go with Carrey.

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3: All three lead actors in “Rebel Without A Cause“; James Dean, Sal Mineo, and Natalie Wood, died young under tragic circumstances: Dean died in a car accident, Mineo was stabbed, and Wood drowned.

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4: In “The Hunger Games“, the name of the main character, Katniss, is derived from the name of a group of edible plant species, genus “Sagittaria”, commonly known as “arrowhead”. This is a reference to the character’s archery skills.

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5: Arrested for trashing a New York hotel room. Johnny Depp claimed that an armadillo was responsible, saying that he had found the animal hidden in a closet and it had gone crazy, wrecking the hotel room before leaping out the window.

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6: In “Drive“, there are three hidden scorpions in the film: – When Driver is in the car right before the scene in the coffee shop where he tells the guy he is going to kick his teeth in. It is reflected in the window and makes a shape like a scorpion. – The second is when he goes to meet Bernie at the Restaurant. It is in the bottom right corner of the painting as he walks up to the table. – The third is when the Driver takes Irene and Benicio to the pond; they play with scorpion claws.

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7: A teaser trailer for the Coen brothers’ debut film “Blood Simple” was shot long before the movie was in production. It featured Bruce Campbell (filling in for the role later played by Dan Hedaya) bloody and crawling down the road, just like the movie.

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8: In “Inception“, If you take the first letters of the main characters’ names – Dom, Robert, Eames, Arthur, Mal and Saito – they spell “Dreams”. If you add Peter, Ariadne and Yusuf, the whole makes “Dreams Pay”, which is what they do for a mind thief – the very profession of the characters.

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9: Keanu Reeves’ first name is Hawaiian and means “cool breeze over the mountains”. When he first arrived in Hollywood, his agent thought his first name was too exotic, so during the early days of his film career he is sometimes credited as K.C. Reeves, Norman Kreeves or Chuck Spadina.

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10: There are only Nine male actors to ever have won the Academy Award for Best Actor twice; they include Fredric March (1932, 1946), Spencer Tracy (1937, 1938), Gary Cooper (1941, 1952), Marlon Brando (1954, 1972) Jack Nicholson (1975, 1997), Dustin Hoffman (1979, 1988), Daniel Day-Lewis (1989, (2007), Tom Hanks (1993, 1994) and Sean Penn (2003, 2008). Only five of them remain working today.

So there you have it. 10 esoteric Tidbits to masticate on. Some you may know. Some you may not. If you have any thoughts, stick your donations in the comment box.
See you next Tuesday…

(For earlier editions of Trivia Tidbits click here.)

TUESDAY’S TRIVIA TIDBITS.

Posted in Uncategorized with tags on September 18, 2012 by Mark Walker

Welcome back to Tuesday’s Trivia Tidbits. For those of you out of the loop, this is a little compilation of 10 movie related facts that I will be posting weekly and info that I always find interesting. So without further ado, this weeks are…

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1: In “Interview With The Vampire“, Christian Slater was given the role of Daniel the interviewer upon the death of River Phoenix, who was originally supposed to be Daniel. Slater donated his $250,000 salary to two of Phoenix’ favorite charities.

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2: There are only five performers to be nominated for an Oscar twice for playing the same role in two separate films: Peter O’Toole as Henry II in “Becket” and “The Lion in Winter“, Al Pacino as Michael Corleone for “The Godfather” and “The Godfather: Part II“, Bing Crosby as Father O’Malley in “Going My Way” and “The Bells of St. Mary’s“, Cate Blanchett as Elizabeth I in “Elizabeth” and “Elizabeth: The Golden Age” and Paul Newman as ‘Fast Eddie’ Felson in “The Hustler” and “The Color of Money“.

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3: Humphrey Bogart was involved in a serious automobile accident late in the production of “Beat the Devil“. Several of his teeth were knocked out in the accident, hindering his ability to speak clearly. Director John Huston hired a young British actor noted for his mimicry skills to re-record some of Bogart’s dialog during post-production looping. And although the talent of the young impersonator is such that the difference is undetectable while viewing the film today, it is a young Peter Sellers who provides Bogart’s voice during some of the scenes.

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4: Brad Pitt owns the rights to the Hong Kong thriller “Infernal Affairs“. He wanted it to be remade with he and Tom Cruise in the leading roles. The movie was eventually remade as “The Departed” and originally he was part of the cast as Colin Sullivan (the Matt Damon role). He later dropped out but continued to produce the film under his (and his then wife Jennifer Aniston’s) production company, Plan B.

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5: In “The Wizard of Oz“, at the end of the sequence in which Dorothy and the Scarecrow first meet the Tin Man, as the three march off singing “We’re Off to See the Wizard“, there is a disturbance in the trees off to the right. There was a long rumour that it was one of the crew committing suicide by hanging himself and that it could actually be seen in the film. It is in fact, a large bird stretching its wings.

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6: Steve McQueen was first offered the role of Capt. Willard in “Apocalypse Now” but he turned it down and Harvey Keitel was then cast. Two weeks into shooting, director Francis Ford Coppola replaced Keitel with Martin Sheen, stating he was not happy with Keitel’s take on the character and that the actor “found it difficult to play him a passive onlooker“. To make matters worse, Sheen had a heart attack during the filming and some shots of Willard’s back are of doubles, including Sheen’s brother Joe Estevez who was flown out specially. Coppola was so worried that backing would be withdrawn by the studio and distributor if news of Sheen’s heart attack leaked out, that he kept it quiet, even to the extent of explaining Sheen’s hospitalization as being due to “heat exhaustion”.

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7: In “Easy Rider“, Rip Torn was originally cast in the role of George Hanson (eventually played by Jack Nicholson). According to Torn, Dennis Hopper pulled a knife on him during a pre-production meeting. On “The Tonight Show with Jay Leno”, Hopper claimed it was Torn who pulled the knife. Torn sued Hopper for defamation and won.

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8: When engaged to Winona Ryder, Johnny Depp had “Winona forever” tattooed on his arm. After they broke up, he had the n and a surgically removed to simply say “Wino forever“.

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9: In 1996, during a traffic stop for speeding, Robert Downey Jr was arrested for drunk driving, possession of heroin, and possession of an unloaded pistol in his pickup truck. This was his first reported brush with the law at age 31. He was given a suspended sentence of 3 years, and granted probation with requirements of random drug testing and drug counselling. In 1999, he violated his probation with further drug and alcohol abuse and he eventually received his sentence of 3 years in prison.

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10: Roderick Jaynes, who is credited with editing most of the Coen brothers’ films, does not, in fact, exist. The name is a pseudonym for Joel and his brother Ethan.

So there you have it. 10 esoteric Tidbits to masticate on. Some you may know. Some you may not. If you have any thoughts, stick your donations in the comment box.
See you next Tuesday…

(For earlier editions of Trivia Tidbits click here)

Margaret * * * *

Posted in Drama with tags on September 14, 2012 by Mark Walker

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Director: Kenneth Lonergan.
Screenplay: Kenneth Lonergan.
Starring: Anna Paquin, Matt Damon, Mark Ruffalo, J. Cameron-Smith, Jean Reno, Matthew Broderick, Jeannie Berlin, Allison Janney, Keiran Culkin, Kenneth Lonergan, Olivia Thirlby, Michael Ealy, Hina Abdullah, Enid Graham, Rosemarie DeWitt, Adam Rose.

Margaret marks the second feature of writer/director Kenneth Lonergan after his Oscar nominated debut “You Can Count On Me“. It was actually made about five or six years ago but took a while to gain a release as there was a series of law-suits involved in the editing process. It boasts both Anthony Minghella and Sydney Pollack as producers – the two of which passed away before the film even seen the light of day. After all the legal wranglings were ironed out, the theatrical version released was supposedly edited by Martin Scorsese and Thelma Schoonmaker and despite some apparent structural flaws, this still comes out as a very emotional and interesting drama.

Lisa Cohen (Anna Paquin) is a 17-year-old high-school student who, one day, distracts a bus driver (Mark Ruffalo), resulting in the death a woman crossing the street. Through time, this tragic accident eats away at her and through her frustration and sense of guilt she begins to emotionally brutalise everyone around her, unaware that she’s harming herself even more so.

This is a film that has, without a doubt, a sense of realism. Even, at times, uncomfortably so but that’s credit to writer/director Lonergan and an exceptionally good cast. Everyone, no matter how small a role, really bring something to the table here but ultimately the film rests in the hands of Paquin. I’ve never been entirely convinced by her before but she delivers a heartfelt and desperate performance here. Her precociousness, coldness and occasional fits of emotional rage are highly destructive. This is essentially a right-of-passage tale but it can sometimes be a harrowing one, in what seems like a complete meltdown from the protagonist. Her motivations are never entirely clear and Lonergan refuses to spoon-feed us the answers either. This could be viewed as an exploration of teenage angst and the awkward progression to adulthood or even youthful idealism in the face of a very complex adult world. It could even be a commentary on the loneliness and need for belonging in a dense and detached society. There are regular slow and protracted shots of New York as a vast and vibrant city but also full of emptiness and lonely disengaged people – Lisa embodying this very detachment. Almost (if not) all of the characters in this film have difficulty connecting with people in one way or another. Everyone seems to be searching to belong somewhere. That being said, the protraction causes the film to meander towards it’s conclusion and leaves many questions unanswered. It’s hard to say whether this is down to the editing issues or just the style that Lonergan intended but it’s nonetheless an intriguing and thought provoking journey. It won’t appeal to everyone due to it’s deliberate pace and a 2 hr 30min running time certainly requires a level of commitment. At several times throughout the film, I even questioned whether it was just pure self-indulgent drivel or something of substance. After reflection, I decided on the latter. There is a depth here, even if I didn’t fully understand what it was.

A deep and melancholic character study that explores the themes of responsibilty, coming-of-age and an important sense of self. It can be difficult viewing due to it’s length and ambiguity but it’s still worthy of some attention.

Mark Walker

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The Cabin In The Woods * * * 1/2

Posted in Comedy, Horror with tags on September 12, 2012 by Mark Walker

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Director: Drew Goddard.
Screenplay: Joss Whedon, Drew Goddard.
Starring: Kristen Connolly, Chris Hemsworth, Anna Hutchison, Fran Kranz, Jesse Williams, Richard Jenkins, Bradley Whitford, Brian White, Amy Acker, Tim De Zarn.

Decent horror movies are hard to come by these days. So much so, that the genre itself has become pray to parody. Wes Craven successfully managed it with “Scream” and recently the cult indie film “Tucker & Dale vs. Evil” took it even further. If your a fan of these types of films then this should be right up your dark and creaky stairwell but pure horror snobs may find it a bit too satirical for their liking.

A weekend break away for five college kids doesn’t quite turn out to be the fun-filled party they were expecting when they arrive at a remote cabin and discover an old diary that speaks of past foul play that took place on their very weekend premises. As expected, the foul play rears it’s ugly head again but in more ways than one.

Right from the beginning of this film the usual horror conventions are all on display; a motley crew consisting of the stoner, the jock, the bookworm and the sweet & sultry females all heading for… well… you know where. Perfect fodder for mayhem I hear you say? Indeed! After a short build-up though, the usual conventions are all but discarded and the film veers off in all sorts of directions. The details of which, I can’t divulge or you’ll be seriously pissed with me. This is most definitely a film that’s worth entering without prior knowledge as the surprises that it has in store are the very strengths which help it overcome it’s faults. One of these major faults is it’s inability to decide what it wants to be or what audience it’s targeting. Is it a parody? Is it science fiction? Is it horror? In fact, it’s all of these things and possesses a welcome mix of scares and humour. The crossover between both is not always a smooth one though, which lessens the impact it could have had. Added to which, it’s very far-fetched to say the least. However, it surprisingly still manages to hold it together to come out a success which is, thanks in large, to a very strong and exhilarating ending, making it hard to resist the film’s chutzpah.

A smart and satirical riff on the horror genre that manages to use the conventions but also cleverly play around with them. Not entirely successful but highly ambitious and appealing on many levels.

Mark Walker

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TUESDAY’S TRIVIA TIDBITS.

Posted in Uncategorized with tags on September 11, 2012 by Mark Walker

Welcome back to Tuesday’s Trivia Tidbits. For those of you out of the loop, this is a little compilation of 10 movie related facts that I will be posting weekly and info that I always find interesting. So without further ado, this weeks are…

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1: Michael Clarke Duncan did bodyguard work for Will Smith, Martin Lawrence, Jamie Foxx, LL Cool J, and The Notorious B.I.G.; he let a friend take over for him the night Notorious B.I.G. got shot, which prompted him to quit that line of work.

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2: In “Lawless” Ryan Gosling, Amy Adams, Scarlett Johansson, and Michael Shannon were originally slated to top line the project together with Shia LaBeouf. After the movie was shut down, recasting was required.

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3: Bruce Willis was chosen to play John McClane in “Die Hard” because the producers felt he brought warmth and humor to an otherwise cold and humorless character. Arnold Schwarzenegger and Sylvester Stallone had turned down the role.

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4: Louise Fletcher who played Nurse Ratched in “One Flew Over The Cuckoo’s Nest” was so upset with the fact that the other actors could laugh and be happy while she had to be so cold and heartless that near the end of production she removed her dress and stood in only her panties to prove to the actors she was not “a cold-hearted monster”.

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5: Brian De Palma liked Oliver Stone’s script of “Scarface” so much that he dropped out of directing “Flashdance” to direct the film.

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6: Joaquin Phoenix was in car accident January 2006 on a winding canyon road that flipped his car over. Shaken and confused, Phoenix heard a tapping on his window and a voice say, “Just relax”. Unable to see the man, Phoenix replied, “I’m fine. I am relaxed”. Then managed to see that the man was famed, eccentric German auteur Werner Herzog, and Herzog replied, ‘No, you’re not’. After helping Phoenix out of the wreckage, Herzog phoned an ambulance and vanished.

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7:Moon” and “Source Code” director Duncan Jones was offered the recent film “Dredd 3D“, but turned it down. Not because he didn’t like the Alex Garland script (Jones said it was great), but because he had such a strong idea of what he wanted to do with a Dredd movie, that he felt he could not bring himself to take it on and not do it his way.

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8: In “The Shawshank Redemption“, Tim Robbins’ role of Andy Dufresne was originally offered to Tom Hanks but he turned it down because he was committed to “Forrest Gump” at the time – Hanks did, however, work on Frank Darabont’s next film, “The Green Mile“. Others considered for the role where Kevin Costner, Tom Cruise, Nicolas Cage, Johnny Depp and Charlie Sheen.

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9: Early in his acting career, Paul Newman was often mistaken for Marlon Brando. He claims to have signed around 500 autographs reading, “Best wishes, Marlon Brando.”

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10:Blade Runner” is, of course, loosely based on Philip K. Dick’s novel “Do Androids Dream of Electric Sheep” but the title itself comes from a book by Alan Nourse called “The Bladerunner“. William S. Burroughs wrote a screenplay based on the Nourse book and a novella entitled “Blade Runner: A Movie.” Ridley Scott bought the rights to the title but not the screenplay or the book. The Burroughs composition defines a blade runner as “a person who sells illegal surgical instruments”.

So there you have it. 10 esoteric Tidbits to masticate on. Some you may know. Some you may not. If you have any thoughts, stick your donations in the comment box.
See you next Tuesday…

Bernie * * * *

Posted in Comedy, Crime, Drama with tags on September 9, 2012 by Mark Walker

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Director: Richard Linklater
Screenplay: Richard Linklater, Skip Hollandsworth.
Starring: Jack Black, Shirley MacLaine, Matthew McConaughey, Richard Robichaux, Brady Coleman, Rick Dial, Brandon Smith, Larry Jack Dotson, Kay McConaughey.

Richard Linklater has always been a reliable “lesser scale” director. He made his name with impressive indie film “Slacker” in 1991 and since then he’s consistently delivered impressive shifts in genre. Although not exactly a household name, anyone aware of his work is rarely disappointed. His latest in Bernie, is yet another shift for him and, unsurprisingly, another success.

In the small town of Carthage, Texas, Bernie Tiede (Jack Black) is a generous and well respected undertaker who is directly involved with the local church and has a great rapport with the townsfolk. Marjorie Nugent (Shirley MacLaine) is also one of the locals but is disliked by many due to her bad attitude and vast wealth. After she is recently widowed, Bernie lends her his friendship and becomes directly involved in her affairs- eventually taking over as her carer. However, Marjorie becomes completely dependent on Bernie to the point where he increasingly struggles to please her and also continue his work in the local church going community.

With this film being based on actual events, I’d rather not reveal too much about it. Many will already be aware of the turns of events that take place (as was I) but I think this would work better with a slight element of surprise to it. Suffice to say that Linklater constructs it in a faux-documentary style and makes clever use of combining interviews with both actors and the real life people that lived through the events themselves. The lines between fact and fiction are skilfully blurred and it’s helped immeasurably by an exceptionally good cast; normally I’m not in the camp of Jack Black enthusiasts but here, he is very good indeed. This is a role that’s entirely suited to him and he mostly does away with his usual schtick of smarm and irritating humour and replaces it with an odd charisma and endearment. He’s more reserved and captures the essence of his character that is, on the one hand, very likeable, yet highly ambiguous in his intentions. Whichever way he comes across, it’s hard to be judgmental of him. It’s not just Black that shines here though; it’s great to see the marvellous Shirley MacLaine excel in a role that allows her to be a complete cantankerous bitch and there’s yet another role (this year) that allows Matthew McConaughey to display his talents. Love or loathe the recent film’s of McConaughey (and I admittedly fall into the latter), there’s no denying that he’s finally taking on roles that reflect his abilities. In fact, one of the slight let down’s with this film is that McConaughey is underused – he’s brilliant but just not in it enough.
Where this film succeeds though, is in it’s structure and the welcome touch of wry humour coursing through it, taking the edge off of what is essentially a disturbing turn of events. As much as this film is a character study, it’s also the study of small town mentality. A town that’s full of Chinese-whispers and curtain-twitchers, yet a major event is overlooked by near enough everyone, in order to maintain their facade and their delusional sense of goodwill. In this respect, Linklater and co-writer Skip Hollandsworth nail it and deliver an intriguing, low-key treat.

A quirky, off-beat and humorous little drama that possesses just enough of a dark undertone to keep almost everyone entertained.

Mark Walker

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TUESDAY’S TRIVIA TIDBITS.

Posted in Uncategorized with tags on September 3, 2012 by Mark Walker

Welcome back to Tuesday’s Trivia Tidbits. For those of you out of the loop, this is a little compilation of 10 movie related facts that I will be posting weekly and info that I always find interesting. So without further ado, this weeks are…

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1: In “Goodfellas“, Tom Cruise and Madonna were the producers’ first choice for the roles of Henry Hill and his wife Karen. Ray Liotta and Lorraine Bracco were subsequently cast in those parts. Al Pacino was also offered the role of Jimmy Conway but he refused with the concern of being typecast. Robert DeNiro took over the role and it’s a decision that Pacino now admittedly regrets.

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2: As the shoot of “Jaws” ballooned from 55 days to 159, with the budget likewise spiraling, the film earned the nickname amongst the crew as “Flaws“.

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3: For “The Thin Red Line“, Billy Bob Thornton recorded a narration under the supervision of director Terrence Malick. However, the final print of the film has voice-overs by eight of the main characters in the film; none of the narration from Thornton is in the final print. In addition, several other stars who filmed scenes were left on the cutting-room floor, including Bill Pullman, Gary Oldman, Lukas Haas, Viggo Mortensen, Martin Sheen and Mickey Rourke.

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4: John Travolta’s role of Vincent Vega in “Pulp Fiction” was written for Michael Madsen but due to scheduling conflicts Madsen couldn’t do it. He did, however, play Vic Vega, in “Reservoir Dogs“. The characters are brothers and at one point Tarantino considered making a film about the Vega brothers with the intended title “Double V Vega“.

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5: In Nicolas Winding Refn’s “Drive“, the driver references the fable of The Scorpion and The Frog: the frog agrees to carry the scorpion across the river; the scorpion stings the frog, saying “it’s my nature” and both drown. Driver can be seen as The Frog of the story – he drives/carries criminals (scorpions) around in his car, but is inevitably dragged into their destructive world (stung) leading to everybody’s downfall. Driver’s jacket has a scorpion on the back, just as the frog carried the scorpion on its back.

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6: In “The Big Lebowski“, the $0.69 check The Dude writes at the beginning of the film is dated September 11, 1991, exactly ten years before the 9/11 attacks. While he is writing the check, George Bush can be heard on the television railing against Saddam Hussein. This film preceded 9/11 by 4 years.

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7: In 2007, Ernest Borgnine became the first male Oscar winner for Best Actor to still be alive on his 90th birthday, and in 2012, Ernest became the first male Oscar winner for Best Actor to still be alive (and working) on his 95th birthday. He recently died on 8th July this year.

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8: In “Toy Story“, the carpet designs in the evil kid Sid’s hallway is the same as the carpet designs in “The Shining“.

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9: Keanu Reeves was originally signed to play Chris Shiherlis in “Heat” but he lost the part when Val Kilmer was able squeeze it into his schedule while making “Batman Forever“.

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10: “Rosemary’s Baby” was released in 1968 and directed by Roman Polanski. Polanski’s pregnant wife, actress Sharon Tate, was murdered in 1969 by Charles Manson and his followers, who titled their death spree “Helter Skelter” after the 1968 song by The Beatles. One of that bands members, John Lennon, was murdered in 1980 outside the Manhattan apartment building where Rosemary’s Baby had been filmed.

So there you have it. 10 esoteric Tidbits to masticate on. Some you may know. Some you may not. If you have any thoughts, stick your donations in the comment box.
See you next Tuesday…

TUESDAY’S TRIVIA TIDBITS.

Posted in Uncategorized with tags on August 26, 2012 by Mark Walker

As everyone seems to have a recurring feature going on, I thought I’d add a little something too. I do have my “Let’s Have A Sit Down” feature but that takes ages to compile so I thought I’d contribute a little something easier every week. This little something will consist of interesting facts that have been attached to certain movies. I’m a sucker for behind the scenes movie info so I will deliver 10 facts each week in the hope that you enjoy these bits of info as much as I do. So without further ado, here are the first 10 of “Tuesday’s Trivia Tidbits

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1: In the forthcoming Steven Spielberg film “Lincoln“, Liam Neeson was originally attached to play the former president before Daniel Day-Lewis. He decided to drop out though as, according to Neeson, he felt he was too old to play the part after waiting so many years for the project to get the go-ahead.

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2:First Blood” was released in 1982 with Sylvester Stallone in one of his most iconic roles as John Rambo but beforehand there were other considerations for the role. Al Pacino was one but he refused it when his request that Rambo be more of a madman was rejected. Others included; John Travolta, Nick Nolte, Michael Douglas, James Garner, Jeff Bridges and Robert DeNiro. Kris Kristofferson was also considered as he was a former Airborne Ranger and some hoped that good friend Sam Peckinpah would direct. Initially Mike Nichols was interested in directing and wanted Dustin Hoffman to play the lead. Hoffman wasn’t interested, however, as he thought it was too violent.

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3: Despite all the publicity, “Citizen Kane” was a box office failure and was quickly consigned to the RKO vaults. At 1941’s Academy Awards the film was booed every time one of it’s nine nominations was announced. It was only re-released for the public in the mid-1950s before being heralded as one of the finest cinematic achievements.

4: Colin Farrell previously appeared in “Minority Report“, which was also adapted from a Philip K. Dick short story, and had originally been developed as a sequel to the original film version of “Total Recall“.

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5: In 1958, Alfred Hitchcock was embittered at the critical and commercial failure of his film “Vertigo“. He blamed this on James Stewart for “looking too old” to attract audiences any more. Previously one of his favourite collaborators, Hitchcock never worked with Stewart again.

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6: O.J. Simpson was considered for the role of “The Terminator” but the producers feared he was “too nice” to be taken seriously as a cold-blooded killer. In 1990 – only 6 years later – Simpson’s stood trial for the murder of his wife.

7: In Tony Scott’s “Crimson Tide“, Quentin Tarantino was brought in to do uncredited “punch-ups” of the dialogue. His major contribution was the comic book bickering.

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8: There are only two actors in the history of the Oscars who have won the award for playing the same character. Marlon Brando is one for playing Vito Corleone in “The Godfather“. Robert DeNiro the other, for doing the same in “The Godfather part II“.

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9: In “The Dark Knight Rises“, Leonardo DiCaprio, Ryan Gosling and Mark Ruffalo were considered to play John Blake before Joseph Gordon-Levitt was ultimately cast. DiCaprio was also one of the actors considered to play Robin in “Batman Forever” before Chris O’Donnell got the part.

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10:It Happened One Night” in 1934, “One Flew Over The Cuckoo’s Nest” in 1975 & “The Silence Of The Lambs” in 1991 remain, to this day, the only three film’s to win all top five Oscar awards – Best Actor, Best Actress, Best Director, Best Picture and Best Screenplay (Adapted).

So there you have it. 10 completely useless Tidbits to masticate on. Some you may know. Some you may not. If you have any thoughts, stick your donations in the comment box.
See you next Tuesday…

Being Flynn * * * 1/2

Posted in Drama with tags on August 25, 2012 by Mark Walker

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Director: Paul Weitz.
Screenplay: Paul Weitz.
Starring: Robert DeNiro, Paul Dano, Julianne Moore, Wes Studi, Olivia Thirlby, Lili Taylor, Eddie Rouse, Thomas Middleditch, Chris Chalk, Liam Broggy, Dale Dickey, Michael Buscemi, William Sadler.

I think it’s fair to say that Robert DeNiro’s film’s over the last ten years or so have been pretty lacklustre. Regardless of this, I’m still that much of a fan that I will always venture into them anyway. If only, to see a glimmer of the great actor enjoying his work again. This might not be the return to form that I was looking for – at least in terms of end product – but it was in terms of his committed performance.

Nick Flynn (Paul Dano) is a young man in his 20’s who hasn’t yet found his vocation in life. He is a budding writer but can’t quite decide if he’s talented enough and the lack of confidence in his abilities stems from the harsh judgement of his estranged father Jonathan (Robert DeNiro) who considers himself a great writer destined for success one day. Just to fill his time, Nick takes a job at a homeless shelter in Boston, where his father – now down-and-out – makes an appearance and looking to become a resident. It opens up all sorts of wounds for Nick as he now has to face up to his own demons and their dysfunctional relationship.

The opening line of this film has DeNiro’s character delivering a voiceover, informing us that “America has produced only three classic writers; Mark Twain, J.D. Salinger and me“. The same could be said for DeNiro’s acting abilities; he is considered one of America’s classic actors and this is a welcome return to form from him. It’s one of the best roles he has had in years and he really seems to be enjoying himself again, instead of just phoning in a performance. There are glimmers of the master here and although it’s not quite up to his highest standards, he at least draws comparisons with his earlier iconic roles. With his vitriolic rants (as well as taxi driving) I couldn’t help but envisage an older Travis Bickle or, more closely, an older and equally delusional Rupert Pupkin. Again, DeNiro delivers a finely balanced performance of a deeply flawed individual with delusions of grandeur. As good as he is though, the always reliable Paul Dano cannot be ignored either. This is the second time I’ve seen Dano play up against a masterful actor (the other being Daniel Day-Lewis in “There Will Be Blood“) and come out looking very accomplished indeed. It’s in the duality of these two characters that the film benefits from it’s most original idea; having the double use of narration from them both. Each time either actor is onscreen they inform us of their take on life and the struggle that they have both faced in their estranged father/son relationship and how their lives will inevitably cross paths again. It’s through this clever narrative device and two commanding performances that the film is elevated above the unsure handling of Paul Weitz’ direction. The material is strong enough (based on Nick Flynn’s actual memoirs) but Weitz struggles a little with it and seems unsure of how to balance the humour and the pathos. There are tragic moments that don’t quite resonate as well as they should which could be a result of Weitz’ past credentials mainly consisting of comedies. It’s the actors that stand out here and in that respect Weitz at least deserves some credit in drawing two commanding deliveries as well as great use of music by “Badly Drawn Boy“.

This is a good film but had the potential to be better had it landed in the hands of a more experienced director. However, DeNiro chews up the screen like he once did in his prime and for that reason alone, this should be seen by his fervent followers.

Mark Walker

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Wild Bill * * * *

Posted in Crime, Drama with tags on August 22, 2012 by Mark Walker

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Director: Dexter Fletcher.
Screenplay: Dexter Fletcher, Danny King.
Starring: Charlie Creed-Miles, Will Poulter, Sammy Williams, Leo Gregory, Neil Maskell, Andy Serkis, Olivia Williams, Liz White, Jason Flemying, Jamie Winstone, Mark Monero, Sean Pertwee, Marc Warren, Charlotte Spencer, Hardeep Singh Kohli.

It’s pretty much inevitable that throughout each year a British working class drama will make an appearance. What’s surprising about them though, is that whoever steps behind the camera, they seem to find some more mileage and deliver something different from a now tiring formula. Paddy Considine done it last year in “Tyrannosaur” and now (another) actor turned director Dexter Fletcher does it with this.

“Wild” Bill Hayward (Charlie Creed-Miles) has just been released from prison. He heads back to his home where he finds that his partner has abandoned his children in his absence, leaving his 15 year old sons Dean (Will Poulter) and 11 year old Jimmy (Sammy Williams) fending for themselves. When there is a threat of them being taken into care, Bill reluctantly decides to stick around but his youngest has got involved in drug dealing, dragging Bill back into the life he’s been trying to avoid.

I’ll be honest in my judgement of this film beforehand, I was expecting another attempt at ripping off Guy Ritchie and the success of his film’s “Lock, Stock and Two Smoking Barrels“, “Snatch” and “RocknRolla”. I’m happy to say that that wasn’t the case here. Sure, this film possesses a similar gritty feel and similar touches of humour but writer/director Fletcher has crafted a very personal film that has an appeal of it’s own. This doesn’t follow the conventions of the British crime flick but delivers a touching and heartfelt family drama. It also pays homage to the classic western in a very understated and clever way; apart from the title itself, the main character of Bill has a tattoo of a Sheriff badge on his chest; he refuses to be run out of town and stares down the local nasties – climaxing in a bar room (saloon) showdown where it becomes apparent why he has received his moniker. All the elements are here and Fletcher does extremely well in managing them with a subtlety, without losing track of the job at hand. Despite the downbeat, and sometimes threatening characters and dysfunctional family element, there is a lightness of touch to be found here and the whole cast deliver memorable shows. Ultimately though, it comes down to the leading man himself – Charlie Creed-Miles. A lot of people may be unaware of this highly underrated actor’s talents but he had previously delivered excellent supporting roles in Gary Oldman’s directorial debut “Nil By Mouth” and Luc Besson’s “The Fifth Element“. Whether or not this film gets him more work remains to be seen but he’s certainly deserving of it and shows impressive range as a decent hearted father with an underlying protective ferocity.

This is a film that manages to juggle several themes and moods and marks a very successful debut from Dexter Fletcher. I only hope that more people pay attention this little gem.

Mark Walker

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LET’S HAVE A SIT DOWN #4

Posted in Uncategorized with tags on August 17, 2012 by Mark Walker

With the release of The Expendables 2 upon us, I thought this would be a fitting time to turn two of cinema’s biggest macho personas on their heads. In this episode, 80’s and 90’s action stars Sylvester Stallone and Arnold Schwarzenegger work out their aggressive homoerotic tensions and engage in some rough sexual activity. This may not be the ‘sit down‘ that most would expect from these two heavyweight action stars but I couldn’t resist twisting it about a little. Although it might not look like it, I assure you, that all words are spoken by them in character. I omitted some words to give it a different context but added absolutely nothing. Be aware, there may be a risk of the iconic characters and film’s used, never looking the same way again.

(Warning: there are some profanities included and some strong suggested sexual references but if you find it crude and insulting, then the mixed up wordplay has actually worked)

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Stallone: Hey, Yo…

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Schwarzenegger: Nice night for a walk.

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Stallone: Do you like having a good time?…

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Schwarzenegger: … you’re making a big mistake. You got me mixed up with somebody else.

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Stallone: I been comin’ here for six years, and for six years ya been stickin’ it to me…

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Schwarzenegger: If you’re not ready to act, give me a break and shut up.

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Schwarzenegger: Your clothes… Give them to me now.

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Stallone: I think my underwear is riding into my throat.

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Schwarzenegger: Why are you being so immature about all this?

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Stallone: Yeah, well… 500 times a night? It stings after a while, ya know.

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Schwarzenegger: I’m the party pooper.

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Stallone: It’s really hard to say this. I feel like, well… I’m thinking maybe it’s time that I should, uh, step down maybe…

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Schwarzenegger: Well I’m sorry to disappoint you but you’re gonna… enjoy all the glorious fruits life has got to offer – acne, shaving, premature ejaculation…

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Stallone: You know what the trouble with you is? You’re too violent.

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Schwarzenegger: I know now why you cry but it’s something I can never do.

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Stallone: Emotions… there ought to be a law against them.

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Schwarzenegger: Why am I wasting time with a dime-store putz like you when I could be doing something much more dangerous, like re-arranging my sock drawers?

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Stallone: Everybody needs something. And I think what YOU need is a whole lotta ME, wrapped around you on a cold winter night.

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Stallone: Why don’t you screw…

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Schwarzenegger: No problemo.

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Schwarzenegger: My body. My choice.

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Stallone: Your body has to be here, but your mind can be anywhere.

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Schwarzenegger: Enough talk.

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Schwarzenegger: Come on… just… put… in me and look me in the eye and see what’s going on in there when you turn it.

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Stallone: You’re gonna regret this the rest of your life… both seconds of it.

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Schwarzenegger: The… nine millimetre.

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Stallone: I can’t hear you…

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Schwarzenegger: Come on… Come on, Do it. Do it, Come on, Come on… I’m here I’m here… Come on… I’m here, Come on, Do it now…

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Stallone: You’re a big man, but you’re out of shape. For me it’s a full time job.

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Schwarzenegger: Who is your Daddy?…

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Stallone: You’re the disease, and I’m the cure.

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Schwarzenegger: My nipples are very sensitive.

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Stallone: Y’know, sometimes charity really hurts.

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Schwarzenegger: Cutie pie. One of us is in deep trouble.

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Stallone: I’m taking care of business.

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Schwarzenegger: Oh, you think you’re bad, huh? You’re a fucking choir boy compared to me. A CHOIR BOY!

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Stallone: Yeah, to you it’s Thanksgiving; to me it’s Thursday.

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Schwarzenegger: You Want to be a farmer? Here’s a couple of acres

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Stallone: Stop or my… will shoot.

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Schwarzenegger: Come with me if you want to live.

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Stallone: You ain’t so bad, you ain’t so bad, you ain’t nothin’. C’mon, champ… in the face.

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Stallone: You know, you got a big mouth, you know?

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Schwarzenegger: Well… I’ve got to hand it to you. It’s the best… fuck yet.

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Schwarzenegger: … I hope you leave enough room for my fist because I’m going to ram it into you… and break your god-damn spine.

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Stallone: You can’t break me.

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Schwarzenegger: Bleed, bastard.

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Stallone: … somewhere between my vest and my pants.

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Stallone: Don’t push it. Don’t push it… Let it go. Let it go.

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Schwarzenegger: I’ll show you collateral damage.

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Schwarzenegger: Now that hit the spot.

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Stallone: I look at this… and I don’t like what I see.

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Schwarzenegger: Consider that a divorce

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Stallone: How do you think this makes me look?

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Schwarzenegger: You’re one… ugly motherfucker.

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Stallone: Well, we’re all a little freaky… It’s those straight ones you’ve got to worry about.

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Schwarzenegger: I just had a terrible thought… what if this is a dream?

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Stallone: I can’t get it out of my head. A dream of seven years. Everyday I have this. And sometimes I wake up and I don’t know where I am. I don’t talk to anybody. Sometimes a day – a week. I can’t put it out of my mind.

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Schwarzenegger: If this is a dream then who the hell invited you?

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Stallone: All right, just relax… You wanna talk – we’ll talk. I’m a sucker for great conversation.

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Schwarzenegger: You gave me a Raw deal.

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Schwarzenegger: No sequel for you.

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Stallone: I feel like a Kentucky Fried idiot.

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Schwarzenegger: You were never that smart.

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Stallone: During this… I’ve seen a lot of changing, in the way you feel about me, and in the way I feel about you. In here, there were two guys… I guess what I’m trying to say, is that if I can change, and you can change, everybody can change.

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Schwarzenegger: No more games.

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Stallone: I’m expendable.

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Schwarzenegger: Hasta la vista, baby

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Stallone: You should finish what you start.

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Schwarzenegger: I’ll be back.

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Stallone: I’ll be the judge of that.

Brave * * * * 1/2

Posted in Adventure, Animation, Family, Fantasy with tags on August 7, 2012 by Mark Walker

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Directors: Mark Andrews, Brenda Chapman.
Screenplay: Brenda Chapman, Mark Andrews, Steve Purcell, Irene Mecchi.
Voices: Kelly Macdonald, Billy Connolly, Emma Thompson, Robbie Coltrane, Kevin McKidd, Craig Ferguson, Julie Walters, Steven Cree, Callum O’Neill, Piegi Barker, Steve Purcell, John Ratzenberger.

Ever since “Toy Story” in 1995, Pixar Animation Studios have consistently delivered the goods. The only possible exceptions being “Cars” and it’s sequel. On the whole though, they have gained a reputation for delivering high quality and innovative story-lines. However, they have now reached a point where they are in danger of becoming victims of their own success. Nothing but the best is expected. This one attempts to go against their usual standard of storytelling and although some have criticism for it’s change of direction, I personally found it as appealing as ever.

In the Scottish highlands, bold young princess Merida (Kelly Macdonald) defies and rejects the services of her mother Queen Elinor (Emma Thompson), who has arranged for her to be married. Merida would rather hunt in the forests with her skills in archery and when her mother refuses to back down on her betrothal, Merida flees from the kingdom where she seeks the help of a witch (Julie Walters). This impulsivity brings a curse upon Merida’s family and one that she must undo before it’s too late.

Not only have Pixar changed their formula in having their first female protagonist in Merida, but they also had their first female director in Brenda Chapman. It was Chapman who conceived the project under it’s original title “The Bear and the Bow” but due to creative differences she was replaced by Mark Andrews. Added to which, Merida was originally to be voiced by Reese Witherspoon, who declined due to scheduling constraints. These post production issues could be the very reason why some critics claimed this film to be uneven. However, one of the silver-linings was the dropping out of Witherspoon as that meant that Scottish actress Kelly Macdonald could replace her. As it is, she’s perfectly fitting. What aids this film immeasurably is it’s authenticity in terms of it’s language and voice cast. It’s predominantly filled by Scottish performers and their delivery is pitch perfect. There are Scottish words and references peppered throughout, that although it’s not a requirement to understand them, the “patter” and idiom are well served and add a very personal touch that strike a chord and deliver many good laughs. Some characters are certainly stereotypical but they’re fun and endearing nonetheless and surprisingly, for a Pixar movie, there’s a lack of furry animals and cuddly toys to grab the attention of children – although Merida’s three little brothers are adorable. What this mainly has, is heart, passion and the welcome change of a leading female character with a strength and independent spirit. The mother/daughter relationship at the films core, possesses a real depth that Pixar are not usually known for. 2009’s “Up” touched upon it but human relations don’t tend to feature heavily in their films. This is a different direction Pixar have taken but it’s not, altogether, an unsuccessful one. Admittedly, the story is a tad light and formulaic and ultimately, it gives way to the films colourful pallet. But what a pallet it is; it’s simply astounding. The whole film is exuberantly done and visually it’s an absolute kick in the eyeballs; from Merida’s flowing, fiery red hair to Angus her mighty Clydesdale steed and the vast, abundant, Scottish landscapes. The attention to detail is near flawless and it marks a highly impressive new achievement in Pixar’s animation.

Okay, it might not reach the heights of the “Toy Story” trilogy in terms of imaginative storytelling but this is visually beyond anything Pixar has done before. At one point in the film, a character lifts up his kilt and playfully exposes his arse to another clansman, taunting him with the words “Feast yer eyes“. These are the very words that I would choose to recommend this sumptuous film… “Feast yer eyes” indeed.

Mark Walker

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